Jim Andrews has launched a new collaborative blog, NetArtery, together with Andy Campbell, Chris Funkhouser, Cliff Syringe, Gregory Whitehead, and Jhave Johnston, an innovative and funky group of writers who play in a number of interesting forms of digital and other writing on the network. Should be an interesting one to watch.
# Jim Andrews
During the ELO_AI conference, David (jhave) Johnston shot a couple of wonderful little short films of people responding quickly to the question “What inspired you to get involved with electronic literature?” The results: 51 Keywords (33 seconds) and 51 Responses (18:25).
I posted the talk/skit I performed with Rob Wittig at the ELO_AI Conference, All Tomorrow’s Parties. I was planning a talk on the early days of the ELO, but a few weeks before the conference, John Cayley asked if I could modify my talk to make it more specifically focused on the Tribute to Robert Coover, which was a subtheme of the conference. My goal was to keep some elements of that early history, while delivering the sort of light roast that Coover deserved. That is, to make Coover laugh. I think that Coover and the members of the audience who had actually read some of his books appreciated it, though it did leave me with some explaining for the literalists in the audience who actually thought I was seriously considering spanking my maid.
This week’s ELO_AI conference is dedicated to Robert Coover, the American novelist and Brown University professor who cofounded the ELO and has taught electronic writing workshops at Brown since the 1980s. He has been an important advocate for electronic writing, and did a great deal to make it part of the American literary conversation. I’ll be saying more about Coover during my talk at the conference and during the banquet. But I thought I would share this Robert Coover Criticism, a little generator I threw together to mark the occasion. The generator is built from reviews of his work and interviews he has done over the years.
We will have a Fulbright Scholar position available at UiB Digital Culture in 2011-2012 and in 2012-2013. The position is now advertised on the CIES site. Fulbright scholarships are available to US citizens residing in the US. This position is for a PhD with at least two years of related teaching experience. The scholar will teach 1.5 courses per term in electronic literature or digital media aesthestics courses at the undergraduate and graduate level with 50% research time, and will have the opportunity to participate in the European ‘Electronic Literature as a Model of Creativity and Innovation in Practice” (ELMCIP) HERA research project events. We will also facilitate lecture visits to other European institutions. The pay is 25,000 NOK per month, and travel expenses are covered by the Fulbright. Although the cost of living in Norway is high, the cost of housing, work-related travel and meals are tax-deductible for the scholar. Travel expenses for dependents are not covered, but there is an allowance of 2000 NOK per month per dependent. Depending on needs and expertise, courses the scholar might teach include DIKULT103: Digital Genres: Digital Art, Electronic Literature and Computer Games; DIKUL105: Web Design; DIKULT203: Electronic Literature; DIKULT251: Critical Perspectives on Information Technologies and Society; DIKULT303: Digital Media Aesthetics; or DIKULT304: Graduate Seminar: Topics in Digital Culture. The position is available either for a semester (5 months) or a year (10 months). A letter of invitation is recommended. If you know anyone who might be interested, they should get in touch with me via the address in the advertisement.
As we prepare to publish a photo book of Implementation we have been gathering and tagging new photographs submitted by people around the world at a dedicated Flickr site. We have gotten in hundreds of new photos and the process of using flickr to organize the material has been very interesting. I’ll write more about that process later, but for now I wanted to share this. Along with some others I have been putting Implementation stickers up in Bergen. As I photograph the stickers that people have put up, I have been recording the location information and adding that to flickr. Above is a Google maps/flickr mashup created with iMapFlickr. With this map, you can explore Bergen and explore Implementation. Have fun.
December 20th, 2009
scott
The University of Bergen department of Linguistic, Literary and Aesthetic Studies will have two PhD stipends available in 2010. The stipends are awarded competitively to two of the top candidates who apply. Candidates must have completed an MA degree, have an excellent educational and research record, and have a well-developed project description. Digital Culture is one of the groups within LLE. We have a strong possibility of securing a stipend in this round should an exceptional candidate apply. Applications are accepted internationally. The pay for a PhD candidate in Norway is very good. It is treated as a research job, and pay and benefits are commensurable with many assistant professor positions in the US. I strongly encourage researchers who have completed their MAs with a strong research record in digital culture, particularly electronic literature, to apply. The application deadline is Jan 31, 2010, for three year PhD candidacies to begin in September 2010.
December 19th, 2009
scott

Implementation at the Brandeburg Gate, Berlin

Implementation at the Brandenburg Gate
Slideshow of Implementation photos from Berlin.
I’m organizing a small conference, The Network as a Space and Medium for Collaborative Interdisciplinary Art Practice in Bergen, which will take place from November 8-10 at UiB and at Landmark Café. The gathering is focused on the increasing use of the network as a space and medium for collaborative interdisciplinary art practices including electronic literature and other network-based art forms. Researchers will present papers exploring new network-based creative practices that involve the cooperation of small to large-scale groups of writers, artists, performers, and programmers to create online projects that defy simple generic definitions and disciplinary boundaries. Panel topics (abstracts) include:
- Social Networks and Networked Cultural Practices
- The Evolving Cultural Landscape of Electronic Literature
- Remix Culture, Machinima, and Mash-ups
- Interdisciplinary Approaches to Producing Interactive Audiovisual Art Forms
- Collective Narratives Online, and
- Approaches to “Close Reading” and “Close Writing” Digital Artifacts
The seminar will be organized by the LLE Digital Culture group, which has invited contributions from about 20 international researchers and artists. In addition to the scholarly seminar Nov. 9th and 10th at the University of Bergen, two evening programs will take place Nov. 8th and 9th at Landmark Café at Bergen Kunsthall, to showcase innovative work (performance descriptions) and will be open to the public. Anyone interested in attending can register on the conference site. We will also be filming the performances, and intend to make some version of those recordings publicly available after the event. As with the Electronic Literature in Europe conference we held here at UiB last year, which helped to strengthen a European electronic literature network, it is my hope that this conference will serve to help build new relationships and strengthen connections between artists, writers, and researchers working in different aspects of collaborative interdisciplinary network-based art, and to suggest some directions for future creative activities and research. It should also be a good deal of fun. I’m looking forward to it.
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