Monday, March 21st 14:15-16:00
Sydneshaugen Skole, Room 304B
“Exquisite_Code”
Media artist Brendan Howell is in from Berlin as a visiting lecturer at KHiB. Howell will present the “Exquisite_Code” project, and other electronic literature related projects. Exquisite_Code is an algorithmic performance system for heterogeneous groups of writers. http://www.wintermute.org/brendan/

Tuesday, March 22nd 17:00-19:00
Note: Date changed
HF Building, Room 400
“A Show of Hands — Networked Fictions”
Visiting Fulbright lecturer and e-lit author Mark Marino, along with e-lit author Rob Wittig, will present an evening of readings from network-based fiction, locative narrative, and ludic works of computer-based fiction. http://markcmarino.com

In asking this question, I am in no way suggesting that nothing is at stake; on the contrary, I am seeking to underscore the urgency of the multifaceted project, carried on by many different artists and critics and editors, to consolidate something like “electronic literature” as a domain of creation and inquiry that can do justice both to the advancement and investigation of its material culture and to the philosophical, conceptual frameworks that guide that advancement and investigation. At the heart of this project is the relationship between protocols of computation and protocols of human language use, a relationship that despite all the critical attention it has received continues to present itself as vexed and indeterminate.

We’re very pleased to be welcoming hypertext pioneer and new media innovator Stuart Moulthrop to UiB as a guest researcher for the next two weeks. If you’re in Bergen, please attend his lecture on the 22nd or his reading/demonstration on the 23rd.

Visionary Landscapes: Electronic Literature Organization 2008 Conference

Thursday, May 29-Sunday, June 1, 2008
Vancouver, Washington
Sponsored by Washington State University Vancouver & the Electronic Literature Organization
Dene Grigar & John Barber, Co-Chairs

Producing a work of electronic literature entails not only practice in the literary arts but sometimes also the visual, sonic, and the performative arts; knowledge of computing devices and software programs; and experience in collaboration, interdisciplinarity, and hybridity. In short, electronic literature requires its artists to see beyond traditional approaches and sensibilities into what best can be described as visionary landscapes where, as Mark Amerika puts it, artists “celebrate an interdisciplinary practice from a literary and writerly perspective that allows for other kinds of practice-based art-research and knowledge sharing.”

To forward the thinking about new approaches and sensibilities in the media arts, The Electronic Literature Organization and Washington State University Vancouver’s Digital Technology and Culture program are inviting submissions to the Electronic Literature Organization 2008 Conference to be held from May 29 to June 1, 2008 in Vancouver, Washington.

“Visionary Landscapes: Electronic Literature Organization 2008 Conference” is interested in papers that explore forms of digital media that utilize images, sound, movement, and user interaction as well as––or in lieu of––words and that explore how we read, curate, and critique such works. Topics may include:

• New, non-screen, environments for presenting multimedia writing and/or electronic literature
• Research labs and new media projects
• Strategies for reading electronic literary works
• Curating digital art
• Innovative approaches to critiquing electronic literature
• Emerging technologies for the production of multimedia writing and/or electronic literature
• Building audience for new media literary works and writing
• Digital, literary performances
• Publishing for print or electronic media connecting literature and the arts through common archiving and metatag strategies
• Artistic methods of composition used in intermedia storytelling (improvisation, collaboration, sample and remix, postproduction art, codework, hactivism, etc.)

In conjunction with the three-day conference, there will be a juried Media Arts Show. Along with prizes for the most notable work, selected artists will be awarded bursaries to attend the conference featured at the show. Submission guidelines will be posted beginning August 15, 2007 on the conference website.

The keynote speaker is internationally renowned new media artist and writer, Mark Amerika, named a “Time Magazine 100 Innovator.” His artwork has been exhibited at the Whitney Biennial, the ICA in London, the Walker Art Center, and the Denver Art Museum and has been the topic of four retrospectives. Amerika is also the author of many books, including his recently published collection of artist writings entitled META/DATA: A Digital Poetics (The MIT Press), founder of the Alt-X Network, and publisher of the electronic book review. He currently holds the position of Professor of Art and Art History at the University of Colorado at Boulder.

Deadline for Submissions for Presentations: November, 30, 2007
Notification of Acceptance: December 30, 2007

Vancouver, Washington, located in the Pacific Northwest just across the Columbia River from Portland, OR, is about a six hour drive south of Vancouver, Canada and three hours south of Seattle, Washington. The conference day events will take place at Washington State University Vancouver, a Tier One research Institution built in the foothills of the Cascade Mountains with views of Mt. Hood and Mt. Saint Helens. The official conference hotel is the Hilton Vancouver located in downtown Vancouver, Washington with easy access to restaurants, bars, and evening conference events. Special rates have been negotiated for conference attendees. A conference shuttle will take attendees to and from the campus daily. The recommended airport is PDX at Portland, which is about a seven minute drive to downtown Vancouver, WA.

The cost of the conference is $150; graduate students and non-affiliated artists pay only $100. Conference registration covers access to all events, the reception, some meals, and shuttle transportation.

For more information, contact Dene Grigar at Grigar@vancouver.wsu.edu.

Et plus, there are two new reviews of the ELC. From Montreal, there is a very thorough and intelligent review of the Collection by Patrick Ellis (in English and French) published in Le Magazine électronique du CIAC. From Austria, there is a very good review of the ELC and other works of electronic literature by Franz Thalimar in Der Standard (in German).

N. Katherine Hayles’s “Electronic Literature: What Is It?” establishes a foundation for understanding e-lit in its various forms and differentiates creative e-lit from other types of digital materials. This primer serves the twin purposes of reaching general readers and serving students and institutional audiences by providing descriptions of major characteristics of electronic literature and reflections on the nature of the field. This piece will also appear as the introductory chapter of Hayles’s book Electronic Literature: Playing, Interpreting, and Teaching (coming from Notre Dame Press in fall 2007). The book will also include the CD-ROM of the Electronic Literature Collection, Volume One — a compendium of 60 digital works of poetry and prose, published by the ELO in October 2006.

Joseph Tabbi’s “Setting a Direction for the Directory: Toward a Semantic Literary Web” outlines and analyzes the critical issues relating to the description and classification of e-lit. Tabbi describes an approach that will allow the ELO Directory and other digital resources to be more useful, maintainable, transparent, and integrated with evolving technologies. The work organizes the terms of the problem into a call for an overall strategy of editorial and community-driven discourse about e-lit that will also be dependent on metadata solutions that are convergent with those described and implemented in other ELO publications.

N. Katherine Hayles is the John Charles Hillis Professor of Literature at UCLA. She writes and lectures extensively on electronic textuality and digital arts. Her works include My Mother Was a Computer: Digital Subjects and Literary Texts (University of Chicago Press, 2005), Writing Machines (MIT Press, 2002), How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics (University of Chicago Press, 1999), Chaos and Order: Complex Dynamics in Literature and Science (University of Chicago Press, 1991), and Chaos Bound: Orderly Disorder in Contemporary Literature and Science (Ithaca: Cornell University Press, 1990).

Joseph Tabbi is the author of Cognitive Fictions (Minnesota 2002) and Postmodern Sublime (Cornell 1995), books that examine the effects of new technologies on contemporary American fiction. He edits the electronic book review, and has edited and introduced William Gaddis’s last fiction and collected non-fiction (Viking/Penguin). His essay, “The Processual Page,” appears in the Journal of New Media and Culture. An essay-narrative, titled “Overwriting,” an interview, and a review of Tabbi’s recent work appears in The Iowa Review Web, available online. He is a director of the Electronic Text + Textiles project in Riga, Latvia, and professor of English at the University of Illinois at Chicago. Tabbi was recently elected president of the Electronic Literature Organization.

These new essays are companion pieces to the first two publications on electronic literature issued by the ELO. “Acid Free Bits” is an outcome of the ELO’s PAD (Preservation, Archiving, and Dissemination) project. The report was written by Nick Montfort and Noah Wardrip-Fruin and published in June 2004 in print and on the ELO website. “Born-Again Bits” is a result of the PAD (Preservation, Archiving, and Dissemination) project. The report, by Alan Liu, David Durand, Nick Montfort, Merrilee Proffitt, Liam R. E. Quin, Jean-Hugues Réty, and Noah Wardrip-Fruin, was published online in July 2005.

The Electronic Literature Organization is a 501(c)(3) nonprofit organization established in 1999 to promote and facilitate the writing, publishing, and reading of electronic literature. Since its formation, the ELO has worked to assist writers and publishers in bringing their literary works to a wider, global readership and to provide them with the infrastructure necessary to reach one another. The ELO continues to promote reading, writing, teaching, and scholarship concerning works with important literary aspects that take advantage of the capabilities and contexts provided by the stand-alone or networked computer.