<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Scott Rettberg &#187; interviews</title>
	<atom:link href="http://retts.net/index.php/tag/interviews/feed/" rel="self" type="application/rss+xml" />
	<link>http://retts.net</link>
	<description>read the web</description>
	<lastBuildDate>Wed, 01 Jun 2011 15:06:49 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.1.3</generator>
		<item>
		<title>Electronic Literature in the Chronicle of Higher Education</title>
		<link>http://retts.net/index.php/2007/05/electronic-literature-in-the-chronicle-of-higher-education/</link>
		<comments>http://retts.net/index.php/2007/05/electronic-literature-in-the-chronicle-of-higher-education/#comments</comments>
		<pubDate>Wed, 30 May 2007 06:14:30 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[conferences]]></category>
		<category><![CDATA[e-lit]]></category>
		<category><![CDATA[ELO]]></category>
		<category><![CDATA[Grand Text Auto]]></category>
		<category><![CDATA[interviews]]></category>

		<guid isPermaLink="false">http://retts.net/2007/05/30/electronic-literature-in-the-chronicle-of-higher-education/</guid>
		<description><![CDATA[The Chronicle of Higher Education published a multimedia piece on electronic literature including an article (archive), a video piece, and a podcast interview with N. Katherine Hayles. Look for video link under the screenshot of the Electronic Literature Collection, and the audio interview off to the right. The Chronicle covered the Open Mouse/Open Mic reading <a href='http://retts.net/index.php/2007/05/electronic-literature-in-the-chronicle-of-higher-education/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>The <i>Chronicle of Higher Education</i> published <a href="http://chronicle.com/weekly/v53/i39/39a03001.htm">a multimedia piece</a> on electronic literature including an article (<a href="http://retts.net/documents/chronicle_electronic_lit.pdf">archive</a>), a video piece, and a podcast interview with N. Katherine Hayles. Look for video link under the screenshot of the Electronic Literature Collection, and the audio interview off to the right.  The <i>Chronicle</i> covered the Open Mouse/Open Mic reading at the ELO&#8217;s recent &#8220;Future of Electronic Literature&#8221; Symposium in College Park Maryland. Although the preoccupations of the reportage are a bit noob-ish (the video reporter mentions that the reading was plagued with technical difficulties when in fact it was a comparatively glitch-free evening in comparison to others, and many of the reporters&#8217; questions were focused on the fact that there is not a massive popular audience for electronic literature rather than more interesting concerns &#8212; Who is the Stephen King of electronic literature? Well, ahem . . . King is a tough one but Robert Coover is sort of our Oprah . . .), it is nonetheless great see this esteemed weekly showing an interest in electronic lit, and Hayle&#8217;s audio interview is well worth the price of admission (particularly if you already subscribe to the <i>Chronicle</i>).</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2007/05/electronic-literature-in-the-chronicle-of-higher-education/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Curating Ambiguity</title>
		<link>http://retts.net/index.php/2007/01/curating-ambiguity/</link>
		<comments>http://retts.net/index.php/2007/01/curating-ambiguity/#comments</comments>
		<pubDate>Sun, 28 Jan 2007 20:15:32 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[digital art]]></category>
		<category><![CDATA[e-lit]]></category>
		<category><![CDATA[ELO]]></category>
		<category><![CDATA[interviews]]></category>

		<guid isPermaLink="false">http://retts.net/2007/01/28/curating-ambiguity/</guid>
		<description><![CDATA[I did a short interview with Franz Thalmair about the Electronic Literature Collection, Volume One, that has just been published by the Austrian webzine CONT3XT.NET. It will also be published next week by the UK-based new media collective furtherfield.org.]]></description>
			<content:encoded><![CDATA[<p>I did a short <a href="http://re.cont3xt.net/pdf/Re_004.pdf">interview</a> with Franz Thalmair about the <i>Electronic Literature Collection</i>, Volume One, that has just been published by the Austrian webzine <a href="http://re.cont3xt.net/">CONT3XT.NET</a>. It will also be published next week by the UK-based new media collective <a href="http://www.furtherfield.org/">furtherfield.org</a>.</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2007/01/curating-ambiguity/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>I&#8217;m Telling You I Was Framed: Interview with Simon Mills</title>
		<link>http://retts.net/index.php/2006/09/im-telling-you-i-was-framed-interview-with-simon-mills/</link>
		<comments>http://retts.net/index.php/2006/09/im-telling-you-i-was-framed-interview-with-simon-mills/#comments</comments>
		<pubDate>Wed, 27 Sep 2006 11:00:53 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[digital culture]]></category>
		<category><![CDATA[e-lit]]></category>
		<category><![CDATA[ELO]]></category>
		<category><![CDATA[interviews]]></category>

		<guid isPermaLink="false">http://retts.net/2006/09/27/im-telling-you-i-was-framed-interview-with-simon-mills/</guid>
		<description><![CDATA[I was recently interviewed by Simon Mills for framed, his retrospective project of interviews contextualizing digital art and writing between 1998-2004. The interview took shape in the form of several email exchanges over a period of few months. I appreciate the opportunity that Simon gave me to contextualize my past and current projects, in addition <a href='http://retts.net/index.php/2006/09/im-telling-you-i-was-framed-interview-with-simon-mills/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>I was recently <a href="http://www.framejournal.net/interview/9/scott-rettberg">interviewed</a> by Simon Mills for <i>framed</i>, his retrospective project of interviews contextualizing digital art and writing between 1998-2004. The interview took shape in the form of several email exchanges over a period of few months. I appreciate the opportunity that Simon gave me to contextualize my past and current projects, in addition to my thoughts on the current state of the field of electronic literature more generally.</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2006/09/im-telling-you-i-was-framed-interview-with-simon-mills/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>framed</title>
		<link>http://retts.net/index.php/2006/05/framed/</link>
		<comments>http://retts.net/index.php/2006/05/framed/#comments</comments>
		<pubDate>Tue, 30 May 2006 12:29:39 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[digital art]]></category>
		<category><![CDATA[digital culture]]></category>
		<category><![CDATA[e-lit]]></category>
		<category><![CDATA[Grand Text Auto]]></category>
		<category><![CDATA[interviews]]></category>

		<guid isPermaLink="false">http://retts.net/2006/05/30/framed/</guid>
		<description><![CDATA[The frAme: Online Journal of Culture &#038; Technology which published new media writing, art, interviews and essays from 1995-2004, has stopped actively publishing new work, but it&#8217;s going out with a bang rather than a whimper. Simon Mills is editing a project, framed including retrospective interviews with many of the writers and artists whose works <a href='http://retts.net/index.php/2006/05/framed/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>The <em>frAme: Online Journal of Culture &#038; Technology</em> which published new media writing, art, interviews and essays from 1995-2004, has stopped actively publishing new work, but it&#8217;s going out with a bang rather than a whimper. Simon Mills is editing a project, <a href="http://framejournal.net/"><em>framed</em></a> including retrospective interviews with many of the writers and artists whose works were published in <em>frAme</em>. The first installment of <em>framed</em> includes provacative interviews with <a href="http://www.framejournal.net/interview/6/mark-amerika%22">Mark Amerika</a>, <a href="http://www.framejournal.net/interview/5/matthew-fuller">Matthew Fuller</a>, <a href="http://www.framejournal.net/interview/7/christy-sheffield-sanford">Christy Sheffield Sanford</a>, and <a href="http://www.framejournal.net/interview/3/alan-sondheim">Alan Sondheim</a>. More interviews are coming soon.</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2006/05/framed/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;The Me Everybody Knows&#8221;</title>
		<link>http://retts.net/index.php/2006/02/the-me-everybody-knows/</link>
		<comments>http://retts.net/index.php/2006/02/the-me-everybody-knows/#comments</comments>
		<pubDate>Thu, 02 Feb 2006 21:16:14 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[interviews]]></category>
		<category><![CDATA[publications]]></category>

		<guid isPermaLink="false">http://retts.net/2006/02/02/the-me-everybody-knows/</guid>
		<description><![CDATA[Stuart Moulthrop, Jill Walker, and I were quoted in an article by Stephanie Shapiro, &#8220;The Me Everybody Know&#8221; in the Modern Life section of last Sunday&#8217;s Baltimore Sun (archive). The article is a solid and intelligent survey of perspectives on the ways that web technologies including webcams, blogs, and sites such as my space and <a href='http://retts.net/index.php/2006/02/the-me-everybody-knows/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>Stuart Moulthrop, Jill Walker, and I were quoted in an article by Stephanie Shapiro, &#8220;<a href="http://www.baltimoresun.com/features/custom/modernlife/bal-ml.me29jan29,1,2068689.story?coll=bal-modernlife-headlines">The Me Everybody Know</a>&#8221; in the Modern Life section of last Sunday&#8217;s <i>Baltimore Sun</i> (<a href="documents/baltimoresun.txt">archive</a>). The article is a solid and intelligent survey of perspectives on the ways that web technologies including webcams, blogs, and sites such as my space and flickr are being used for self-representation.</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2006/02/the-me-everybody-knows/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Coover Interview on KCRW</title>
		<link>http://retts.net/index.php/2005/12/coover-interview-on-kcrw/</link>
		<comments>http://retts.net/index.php/2005/12/coover-interview-on-kcrw/#comments</comments>
		<pubDate>Fri, 09 Dec 2005 01:41:16 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[books]]></category>
		<category><![CDATA[interviews]]></category>

		<guid isPermaLink="false">http://retts.net/2005/12/08/coover-interview-on-kcrw/</guid>
		<description><![CDATA[There is a superb interview of Robert Coover available in RealAudio from KCRW’s Bookworm program. The first part of a two part interview was broadcast December 8th, and the other half will be broadcast on the 15th. The first part of the wide-ranging interview provides an overview of Coover’s career and some insights into his <a href='http://retts.net/index.php/2005/12/coover-interview-on-kcrw/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>There is a superb interview of Robert Coover available in RealAudio from KCRW’s Bookworm program. The first part of a two part interview was broadcast December 8th, and the other half will be broadcast on the 15th. The first part of the wide-ranging interview provides an overview of Coover’s career and some insights into his process, themes,  methods and interest in formal innovation. There are some gems in the interview, such as the fact that Coover finished writing <i>The Public Burning</i>, his novel about the Rosenberg execuations and Nixon, in the British Library while sitting on the same hard wooden benches where Karl Marx wrote <i>The Communist Manifesto</i>.</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2005/12/coover-interview-on-kcrw/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Trib Article on Control and E-Lit</title>
		<link>http://retts.net/index.php/2005/11/trib-article-on-control-and-e-lit/</link>
		<comments>http://retts.net/index.php/2005/11/trib-article-on-control-and-e-lit/#comments</comments>
		<pubDate>Mon, 28 Nov 2005 22:11:16 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[books]]></category>
		<category><![CDATA[e-lit]]></category>
		<category><![CDATA[interviews]]></category>

		<guid isPermaLink="false">http://retts.net/2005/11/28/trib-article-on-control-and-e-lit/</guid>
		<description><![CDATA[I was interviewed by the Chicago Tribune&#8216;s Pulitzer Prize-winning cultural critic, Julia Keller, for an article published in the Trib this Sunday, &#8220;Plugged-in Proust: Has e-lit come of age?&#8221; (archive). William J. Mitchell, head of the Media Arts and Sciences program at the Massachusetts Institute of Technology, was also interviewed for the piece, which examines <a href='http://retts.net/index.php/2005/11/trib-article-on-control-and-e-lit/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>I was interviewed by the <i>Chicago Tribune</i>&#8216;s Pulitzer Prize-winning cultural critic, Julia Keller, for an article published in the Trib this Sunday, &#8220;<a href="http://www.chicagotribune.com/technology/chi-0511260138nov27,1,480382.story?coll=chi-technology-hed">Plugged-in Proust: Has e-lit come of age?</a>&#8221; (<a href="http://retts.net/documents/trib27nov2005.pdf">archive</a>). William J. Mitchell, head of the Media Arts and Sciences program at the Massachusetts Institute of Technology, was also interviewed for the piece, which examines the relationship between control and reading technologies.</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2005/11/trib-article-on-control-and-e-lit/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Chat with Chitra Divakaruni</title>
		<link>http://retts.net/index.php/2000/02/chat-with-chitra-divakaruni/</link>
		<comments>http://retts.net/index.php/2000/02/chat-with-chitra-divakaruni/#comments</comments>
		<pubDate>Wed, 23 Feb 2000 02:39:15 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[books]]></category>
		<category><![CDATA[interviews]]></category>

		<guid isPermaLink="false">http://retts.net/2005/04/08/chat-with-chitra-divakaruni/</guid>
		<description><![CDATA[Transcript of a chat with Sister of My Heart Author Chitra Divakaruni. February 22, 2000&#8211;9 P.M. EDT Scott: Welcome to the chat room, Chitra Joanna: Hi Chitra! Chitra Divakaruni: Hello everyone, I am pleased to be here with you Vev: Hello Chitra! I loved Mistress of Spices and Sister of my heart!!! Vev: When can <a href='http://retts.net/index.php/2000/02/chat-with-chitra-divakaruni/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<h2>Transcript of a chat with <i>Sister of My Heart</i> Author Chitra Divakaruni. February 22, 2000&#8211;9 P.M. EDT</h2>
<p><b>Scott:</b> Welcome to the chat room, Chitra  </p>
<p><b>Joanna:</b> Hi Chitra!</p>
<p><b>Chitra Divakaruni:</b> Hello everyone, I am pleased to be here with you  </p>
<p><b>Vev:</b> Hello Chitra!  I loved Mistress of Spices and Sister of my heart!!!  </p>
<p><b>Vev:</b> When can we expect your next book?</p>
<p><b>Chitra Divakaruni:</b> Thank You</p>
<p><b>Chitra Divakaruni:</b> I am working on a collection of stories, it is titled The Unknown Errors of our Lives. It will come out in January 2001.  </p>
<p><b>Vev:</b> I have to put a reminder on Amazon to remember to get it!  </p>
<p><b>Vev:</b> excellent!  </p>
<p><b>Vev:</b> I also want to read Arranged Marriage  </p>
<p><b>Tata:</b> do young men in India experience the same ceremonies of life as the young women.</p>
<p><b>Chitra Divakaruni:</b> Tata &#8211; when we talked about young men and young women, we have to remember that there are many different kinds of lifestyles that they are leading in India from the very traditional to the very modern. Overall I&#8217;d say that the rituals and ceremonies undergone by young men in traditional lifestyles are different from those that women undergo. In modern families, though,  there are very many similarities. In Sister of My Heart I am portraying a very traditional family. In Bengal, so the rituals are quite unique.  </p>
<p><b>Vev:</b> Chitra, were did you get the inspiration for Sister of my Heart?</p>
<p><b>Chitra Divakaruni:</b> That&#8217;s a tough question, I think partly from growing up in Calcutta in a rather traditional family partly it was from reading about the mis-uses of amniocentisis to select and abort female fetuses. The two characters, Sudha and Anju, came from my imagination.  </p>
<p><b>Tata:</b> Is it true that the misuses os amniocentisis will give India a severe shortage of females in 20-30 years?</p>
<p><b>Chitra Divakaruni:</b> It is hard to say. The womens movement has been fighting against this and  has had a law passed to abolish the abortion of female fetuses, however some abortions do occur in secrecy. One has to remember that this occurs in only a small percentages of pregnancies, however I feel that even one such abortion is too many and that is why it was important for me to write about it.  </p>
<p><b>Joanna:</b> Can you talk a little bit about the women&#8217;s movement in India?</p>
<p><b>Chitra Divakaruni:</b> The women&#8217;s movement in India has gained a lot of strength in the last twenty years. Unlike the western feminist movement, there are two distinct branches: Urban and Rural &#8211; the urban branch consists mostly of educated middle class or upper middle class women, and the rural movement is a grass roots movement, often involving women who might not have had any formal education at all, who are forming co-ops.   </p>
<p><b>Vev:</b> Chitra, i really like a foreign film I saw afew months back called Fire-I believe it is part of a trilogy are there any plans to bring Sister of my heart to the screen?  </p>
<p><b>Joanna:</b> Are you affiliated with either branch?</p>
<p><b>Chitra Divakaruni:</b> Just a moment. My previous novel, Mistress of Spices is being made into a movie and I am pretty excited about that.  We don&#8217;t yet know about Sister of my Heart.  </p>
<p><b>Vev:</b> for the big or small screen?  </p>
<p><b>Chitra Divakaruni:</b> Big Screen  </p>
<p><b>Chitra Divakaruni:</b> I am involved with a couple of womens groups in the US, since I live here full time.  </p>
<p><b>Scott:</b> The novel has an epigraph from Chinua Achebe &quot;It is only the story . . . that saves our progeny from stumbling into the spikes of the cactus fence.&quot; Does this point to the purpose of novel, and/or your view of writing in general?  </p>
<p><b>Joanna:</b> The Mistress of Spices seems like a difficult film to make into a movie, don&#8217;t you think? But with the right director/screenwriter, it could be great!</p>
<p><b>Chitra Divakaruni:</b> Scott&#8211;this points particularly to Sister of My Heart, which is a novel in which storytelling takes on a great signifigance. The two women are brought up on traditional tales and myths by their aunt. This affects their visions of the world and their place in it. Later, when they through times of trouble they will re-tell these stories to each other and gain strength from them.  </p>
<p><b>Scott:</b> were you exposed to the same kind of stories in your youth?</p>
<p><b>Chitra Divakaruni:</b>  I was very fortunate to have a grandfather who told me a lot of the traditional folk tales and some of those tales are the same ones I have put into Sister of my Heart.</p>
<p><b>Scott:</b> one of the most fascinating things about SoMH was the mix between folk tales and  other traditions &#8212; Virginia Woolf was quite important. Did her work play any framing role for you as wrote the novel?</p>
<p><b>Chitra Divakaruni:</b> Because I have studied both eastern and western literature, I also like to bring the two together in my writing. I feel it is a way to enrich both traditions. I have been influenced by many of the feminist ideas of Virginia W. as I was growing up, somewhat in the same way that Anju was influenced by them. The central idea that women need to have a room of their own is an important concept in Sister of My Heart, particularly as such an idea is foreign to traditional Indian society  </p>
<p><b>Tata:</b> Who are popular female writers in India  </p>
<p><b>Chameli:</b> TypeChitra, where are you located. I read one of your books about arranged marriages. I was wondering if you could come to my Human Behavior class (graduate school) to present something.</p>
<p><b>Chitra Divakaruni:</b> There are writers in many different languages. Some of the ones from my languages, Bengali, are Mahasweta Devi and Bani Basu and Taslima Nasrin, among women writing in English. Either here or in India are Anita Desai, Bharati Mukherjee and Arundhati Roy.</p>
<p><b>Scott:</b> Do your books sell back in India? It seems to me your books present a compelling voice for reform.</p>
<p><b>Chitra Divakaruni:</b> <b>Scott</b> &#8211; the books have been published in India and widely reviewed. I would like them ultimately translated into the Indian languages. I have had a few pieces translated, but I am always looking for more.  </p>
<p><b>Scott:</b> You have a great sense of detail, in particular when it comes to cooking and food. What&#8217;s your background in, well, cooking and eating?  </p>
<p><b>Joanna:</b> Chitra, many of our members posted questions for you on the forum.  </p>
<p><b>LongNLean:</b> Chitra what do you have to say about so-called western perceptions of the traditions of India?  </p>
<p><b>Chitra Divakaruni:</b> I just love food Scott, and I am interested in herbs and spices for many years. That is what led me party to write The Mistress of Spices.</p>
<p><b>Chitra Divakaruni:</b> Any other questions?  </p>
<p><b>Scott:</b> When you teach writing, What advice do you give to young writers?</p>
<p><b>Chitra Divakaruni:</b> I tell my students to read wisely, to take a lot of time with their writing, to revise carefully and to take risks.  </p>
<p><b>Scott:</b> When did you decide to become a writer?  </p>
<p><b>Joanna:</b> Okay Chitra &#8212; Maritav asks if you are planning a sequel &#8212; she feels SISTER ended &quot;abruptly&quot; and wonders if this was youur intent.<br />
<b>Chitra Divakaruni:</b> I started writing about 13 years ago, that was many years after I came to this country. Unlike some writers who know right from their childhood that they want to write, I discovered it much later, after I had finished my education and started working.</p>
<p><b>Chitra Divakaruni:</b> I wanted to end Sister on an open-ended because as a reader, that is what I like.  Stories that a reader keeps on thinking about the characters after the book ends. However I do think I will continue the story of the women, just because those characters have taken hold of me and I can&#8217;t seem to forget them.</p>
<p><b>Chitra Divakaruni:</b> The background out of Calcutta comes out of my experience&#8211;all of the concerns with the challenges that women face both in India and in America are of course, very close to me. Other than that, the rest of the story is imagined.</p>
<p><b>Joanna:</b> JasmineDoe asks what you see as the biggest challeneg for American women today and how that challenge differs for the crosscultural woman.</p>
<p><b>Chitra Divakaruni:</b> I think a real challenge for both main stream American women and bi-cultural American women is balancing the roles, the many roles, that we have taken on&#8211;Roles in the home and outside the home&#8211;Roles as  professionals and as mothers.  </p>
<p><b>Scott:</b> Do you make it back to india often? there must be some strange moments of disjunction between Calcutta and Houston.</p>
<p><b>Chitra Divakaruni:</b> I do go back to India regularly, my mother lives there. It is a strange experience to go back, I love India, but I am not at home in it the way I was before I left. I see things with an outsiders eye, and of course that is my experience in Houston as well.  </p>
<p><b>Chameli:</b> Scott, in fact both has advantages and disadvantages.</p>
<p><b>Chitra Divakaruni:</b> Are there one or two last questions?  </p>
<p><b>Chameli:</b> In fact, outsiders become outsiders everywhere, no matter how much you acculturate.  </p>
<p><b>Scott:</b> Thanks very much for coming tonight Chitra. </p>
<p><b>Chitra Divakaruni:</b> It has been a pleasure chatting with everyone and I wish all of you much good reading. For me, reading has always been a way to enter life and experiences that otherwise I would never have known about. I hope my books will do that for you, no matter what background you come from.</p>
<p><b>Chitra Divakaruni:</b> Good night to all of you.</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2000/02/chat-with-chitra-divakaruni/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chat with Chuck Palahniuk</title>
		<link>http://retts.net/index.php/1999/11/chat-with-chuck-palahniuk/</link>
		<comments>http://retts.net/index.php/1999/11/chat-with-chuck-palahniuk/#comments</comments>
		<pubDate>Tue, 23 Nov 1999 02:00:53 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[books]]></category>
		<category><![CDATA[interviews]]></category>

		<guid isPermaLink="false">http://retts.net/2005/04/08/chat-with-chuck-palahniuk/</guid>
		<description><![CDATA[Transcript&#8211;Chat with Fight Club Author Chuck Palahniuk November 22, 1999&#8211;9 P.M. EDT Scott Hi Chuck, welcome to the chat room. Chuck Palahniuk Hello from Portland, Oregon Scott How is the weather out there tonight? Helen Chuck, I was given your book for Christmas, last year. It was terrific. Chuck Palahniuk Pouring rain, excellent writing weather. <a href='http://retts.net/index.php/1999/11/chat-with-chuck-palahniuk/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<h2>Transcript&#8211;Chat with <i>Fight Club</i> Author Chuck Palahniuk<br />
November 22, 1999&#8211;9 P.M. EDT</h2>
<p><b>Scott</b>  Hi Chuck, welcome to the chat room.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Hello from Portland, Oregon</p>
<p><b>Scott</b>  How is the weather out there tonight?</p>
<p><b>Helen</b>  Chuck, I was given your book for Christmas, last year. It was terrific.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Pouring rain, excellent writing weather.</p>
<p><b>Scott</b>  So are you gearing up for your trip to France?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  France is cancelled&#8211;I&#8217;m up to my waist in writing a new book.</p>
<p><b>Helen</b>  I waited for the movie to come out, and was disappointed by the ending of the film. What were the producer&#8217;s notes or studio notes that led to the new ending?</p>
<p><b>tonyb</b>  Chuck, what type of fighting background did you have before you wrote the book?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  My dad was a boxer in the Navy, but the only fighting I&#8217;ve ever done was in brawls.</p>
<p><b>Scott</b>  Did you get in a lot of them?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  LOL. A dozen, maybe.</p>
<p><b>Helen</b>  Where did you grow up?</p>
<p><b>Baitsell</b>  Hey, you know your TLA&#8217;s, are you on the net a lot?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Burbank, Washington</p>
<p><b>Scott</b>  <i>Fight Club</i> was your first novel, you&#8217;ve written two in the interim between its publication and release as a major motion picture. Has it been strange for you, to sort of have to move back in time, and talk about your first novel?</p>
<p><b>tonyb</b>  Do you like the movie adaptation?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Yes, very much. Sometimes I can hardly remember what <i>Fight Club</i> was about.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Yes, I loved the movie adaptation. I think it&#8217;s terrific.</p>
<p><b>Scott</b>  Did you get to play any role in that? Did you want to?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  David Fincher asked me if I wanted to, but I hated the idea&#8211;I didn&#8217;t want to be in the movie.</p>
<p><b>environment.guide</b>  I like Brad Pitt. Were you on the set as the movie was being shot?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Yes, I was. I like Brad Pitt, too. Brad&#8217;s very likeable.</p>
<p><b>Helen</b>  Did you work closely with David Fincher during any rewrites of the screenplay?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  No, I didn&#8217;t. I met with the screenwriter before the first draft. But that was my only contribution.</p>
<p><b>Helen</b>  What was your primary concern as you translated the book to a screenplay during the first draft?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  As the screenwriter translated the book to a screenplay, my primary concern was writing my next book. I know nothing about screenwriting.</p>
<p><b>Baitsell</b>	 Have you had any offers to option <i>Invisible Monsters?</i></p>
<p><b>Helen</b>  Does Marla represent a particular theme in your novel?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  We&#8217;re still negotiating on that. But the option is still open.</p>
<p><b>Baitsell</b>	It would make a kick ass movie.</p>
<p><b>MarkHazen</b>  What was your initial reaction to your first view of the finished film?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Not denying if you&#8217;re screwed up, not trying to hide your faults.</p>
<p><b>Helen</b>  Oh, that&#8217;s good.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Shock.</p>
<p><b>tonyb</b>  So is <i>Fight Club</i> based more on a true story or more on a made up story?</p>
<p><b>MarkHazen</b>  Shock in a good sense, or shock as in &#8216;what the hell did they do with my plot?&#8217;</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Instantly wanted to see it again, a second or third time.</p>
<p><b>MarkHazen</b>  ::grin:: I can relate to that kind of shock. =)</p>
<p><b>Helen</b>  I thought Marla was representing the chaos in the real world&#8211;the reason he shouldn&#8217;t have to create anarchy.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  I was overwhelmed with how much was there.</p>
<p><b>Baitsell</b>  The movie&#8217;s had that kind of affect on a lot of people. . . .</p>
<p><b>Helen</b>  How did you start writing <i>Fight Club?</i></p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Marla also represented the next step in his becoming an adult by committing to a relationship.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  I started writing with a pen and a piece of paper at work, during a really boring day.</p>
<p><b>Baitsell</b>	 Does that mean you see Tyler as the adult?</p>
<p><b>Helen</b>  But he committed to Marla first through Tyler</p>
<p><b>Helen</b>  And Tyler seems to be more of the <i>Rocky Horror Show</i> type.</p>
<p><b>Helen</b>  I mean, he seems to be the id.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  No, but Tyler is the next step in Jack becoming an adult, Tyler is sort of the missing link.</p>
<p><b>Helen</b>  cool&#8211;</p>
<p><b>Baitsell</b>	Will the Adult emerge in a sequel? (hint hint)</p>
<p><b>Helen</b>  Did you know the plot first, or did you know the character first?</p>
<p><b>tonyb</b>  so, is the book based more on a true story or a made up story?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Sequel? No, never. I don&#8217;t write sequels, but Fox has that right.</p>
<p><b>Baitsell</b>	Ewwww&#8230; you&#8217;re going to let someone else destroy your characters?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  80% true, 20% made up.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  I sold that right. It&#8217;s out of my hands. LOL.</p>
<p><b>Helen</b>  Do you still have that first piece that started <i>Fight Club</i>? You can sell that, too!</p>
<p><b>Helen</b>  EBAY</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Let&#8217;s hope the original makes enough money that they want to do a sequel.</p>
<p><b>Baitsell</b>  I was noticing that all of your books have been told in flashback. Are you working on a fourth (and is it in the same style?)</p>
<p><b>environment.guide</b>  hi Chuck, I&#8217;m down the street from you (in Oregon). It&#8217;s raining here, how about in Portland?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  I still have it, it was published in an anthology in 1995 before <i>Fight Club</i> was a book. The anthology was called, <i>The Pursuit of Happiness.</i></p>
<p><b>Helen</b>  Chuck, I graduated with an MFA in Film Producing from USC, so this is really a question for a new producer. Did the producer contact you after reading the book or did you know each other? At which stage did you get contacted by Hollywood execs?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Yes, I am working. No, it will be significantly different than the last three.</p>
<p><b>Helen</b> I meant, for a new producer&#8217;s benefit.</p>
<p><b>MarkHazen</b>  How sick of the question &#8220;where do you get your ideas from&#8221; are you by now? =)</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Fox optioned the book and signed it to an independent producer and he called me via my agent.</p>
<p><b>MarkHazen</b>  Just wondering, as your writing definitely broke the mold.</p>
<p><b>Scott</b>  Do you use your writing to process things you&#8217;re going through, as a kind of catharsis?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  I use writing to process things I&#8217;m going through, but not always.</p>
<p><b>Helen</b>  So, Fox found it first. I always assumed the producer brought it to Fox.</p>
<p><b>tonyb</b>  What advice do you have for someone who wants to write a book and has never done one?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>	Write one scene at a time.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>	 And: try to suprise yourself.</p>
<p><b>Scott</b> So what&#8217; s your writing work routine like&#8211;do you have a set schedule?</p>
<p><b>Helen</b>  AAAGH. I will never be able to compete with the studio&#8217;s deep pockets.</p>
<p><b>Helen</b>  Sorry&#8211;non sequitur.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Not set schedules, but I never start writing until I have a huge amount of research and notes done and I know something about where the book will begin.</p>
<p><b>Baitsell</b>	 Where did you get your inspiration for Brandy Alexander?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  At a female bodybuilding contest where I was working as a security guard.</p>
<p><b>Helen</b>  Did you already know about how to make soap, bombs, and what the automobile industry does about recalls, or was that research for the book?</p>
<p><b>Helen</b>  LOL</p>
<p><b>Helen</b>  Love that</p>
<p><b>Baitsell</b>  She was divine&#8230;</p>
<p><b>Helen</b>  Baitsell, you&#8217;re so cool!</p>
<p><b>tonyb</b>  Do you ever use a tape recorder to talk out portions of a book?</p>
<p><b>Helen</b>  Great question!</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Everything is research. My freind Alice taought me how to make soap. My brother Matt taught me about the bombs. I learned about the recalls by watching <i>60 Minutes.</i></p>
<p><b>Scott</b>  Did you completely understand the metaphors you were using in <i>Fight Club</i> as you were writing it, or was a lot of that subconscious?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  No, I hate to transcribe tape, I hate the sound of my own voice.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  LOL. No I don&#8217;t completely understand anything in the world.</p>
<p><b>Helen</b>  <img src='http://retts.net/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p><b>Helen</b>  haha, I&#8217;m still amused!</p>
<p><b>Scott</b>  So how did Matt learn about the bombs?</p>
<p><b>Helen</b>  haha</p>
<p><b>Baitsell</b>	 Are you gay? And if not did you &#8220;research&#8221; the &#8220;community?&#8221;</p>
<p><b>tonyb</b>  Do you know if using a tape recorder to talk out a book is a commonly used practice by other authors?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Matt is an engineer for the Chevron Corp.&#8211;besides all that stuff is on the Internet.</p>
<p><b>Helen</b>  tonyb, if it works for you, you should do it. A lot of screenwriters do it, too.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  None of the authors I know do it that way.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  I do talk out my books with my housemates while I&#8217;m plotting them.</p>
<p><b>Scott</b>  So I was booted off for a lil bit so I&#8217;m not sure if this was asked yet&#8211;what other writers do you like/were influenced by?</p>
<p><b>Helen</b>  wasn&#8217;t asked yet, Scott</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>	 Amy Hempel and her collections of short stories, Brett Ellis&#8217; collection <i>The Informers,</i> and the third book would be Denis Johnson his collection called <i>Jesus&#8217;s Son.</i></p>
<p><b>environment.guide</b>  My apologies if this is too personal, you said housemates, what&#8217;s a famous writer like yourself doing living with a bunch of other people?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  LOL. They are cheap and I am lonely.</p>
<p><b>Helen</b>  Have you ever read part of your work at Cody&#8217;s Bookstore in Berkeley? I used to be a student there, and listening to authors speak their work and answer questions was so delightful.</p>
<p><b>Helen</b>  Would you do that in LA somewhere?</p>
<p><b>Helen</b>  haha</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  No, but I&#8217;ve always wanted to read at Cody&#8217;s. I did stop in there once and sign all of their stock. It&#8217;s a really cool store.</p>
<p><b>Scott</b>  Have you had any weird encounters since the movie came out&#8211;people making assumptions about you from seeing the film?</p>
<p><b>Helen</b>  Do a reading in LA!!!!</p>
<p><b>Helen</b>  That would be so much fun!</p>
<p><b>Baitsell</b>	The new thing you&#8217;re working on, is it still first person narrative?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  No, pleasantly. No weird encounters yet. But I&#8217;m pretty unrecognizable.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Some of it is first person, but not necessarily all of it. It is the most comfortable voice for me. I feel the least like I&#8217;m playing God if I&#8217;m writing in first person. I hate writers who pretend to be God by writing in third person.</p>
<p><b>Helen</b>  Have you ever translated your friends into characters?</p>
<p><b>Baitsell</b>  Is that a more comfortable voice for you? It seems like it would be hard to get into some of your characters heads with that voice.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Yes, pretty much all of my characters are friends.</p>
<p><b>Helen</b>  Do they have a difficult time reading themselves? I was translated into a character for a play once, and I was surprisingly sensitive about it&#8211;it really made me nervous.</p>
<p><b>environment.guide</b>  that&#8217;s interesting, Helen, any play we might know?</p>
<p><b>Helen</b>  AAAGH, maybe, if you watch John Fisher plays.</p>
<p><b>Baitsell</b>	Have you thought of pulling a McInerney on all of us and force us to read something in second person. I think you could pull it off <img src='http://retts.net/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' /> </p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  No, my friends love seeing themselves and the things that they say in print. They especially loved being quoted by movie stars in the movie.</p>
<p><b>Scott</b>  So was one of your buddies Brad Pitt?</p>
<p><b>Helen</b>  Hmm.</p>
<p><b>Helen</b>  Say hi to your friend who is Marla, because she&#8217;s caustic and sharp and really cool!</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  I&#8217;d like to try, but second person feels a little hokey&#8211;if it goes too long.</p>
<p><b>Baitsell</b>	Are you still writing short stories?</p>
<p><b>Helen</b>  What about doing a site on the Internet?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Sorry, I am not buddies with Brad, but he was great to spend time with.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  LOL! My friend Marla IS very cool. And she&#8217;s a fifth grade teacher now and she has head lice.</p>
<p><b>Helen</b>  hahahahahaha!</p>
<p><b>Scott</b>  So what&#8217;s it like reading reviews of the movie&#8211;a different feeling from reading reviews of your books?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Yes, right now I&#8217;m writing a lot of short stories.</p>
<p><b>Baitsell</b>	 LOL that&#8217;s friggin awesome!</p>
<p><b>Helen</b>  Tell Marla not to spread it back and forth to the 5th graders. That would suck to be her on Parent Teacher night.</p>
<p><b>Baitsell</b>	Any in the pipe? I&#8217;ll mess up my ramen budget for some magazines if you have anything coming out soon <img src='http://retts.net/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' /> </p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  I would say, it was frustrating because I really wanted people to understand and appreciate David Fincher&#8217;s movie. I don&#8217;t give a rat&#8217;s ass what people think of me, but I do get bent out of shape when people criticize people I admire or care about.</p>
<p><b>Helen</b>  Agree.</p>
<p><b>Scott</b>  Yeah some of the reviews seemed to simplify the film.</p>
<p><b>Baitsell</b>	 Yeh, <i>The Nation</i> was especially caustic (bastards)</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  I would tend to agree, some people never saw past the surface of things.</p>
<p><b>Helen</b>  When my friend and I walked out of the theater, I heard a lot of comments that didn&#8217;t really seem to fit what the movie and book were about.</p>
<p><b>Helen</b>  They didn&#8217;t understand.</p>
<p><b>Baitsell</b>	 Yeh, I heard guys wanting to buy <i>Fight Club</i> action figures (and assorted merchandise).</p>
<p><b>Helen</b>  Oh, Baitsell, that was the perfect illustration of what I meant!</p>
<p><b>Scott</b>  What about those that characterize it as a &#8220;guy&#8221; movie? Do you think that&#8217;s valid?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  oh God. The studio put together a fake catalog of merchandise and made fun of the whole merchandizing side of things.</p>
<p><b>Baitsell</b>  I&#8217;d love to get some <i>Fight Club</i> soap though&#8230;</p>
<p><b>Helen</b>  ha, so would I.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  I would refer you to www.tylerdurden.com</p>
<p><b>Helen</b>  Is there merchandise for sale there?</p>
<p><b>Scott</b>  The soap thing I&#8217;ve got to admit was the most disturbing element of the film.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Sorry to distrub you.</p>
<p><b>Scott</b>  in a good way.</p>
<p><b>Helen</b>  My favorite part of the book was the lye</p>
<p><b>Scott</b>  That&#8217;s one of the jobs of a writer, aint it?</p>
<p><b>Helen</b>  Not the lie, the lye kiss.</p>
<p><b>Baitsell</b>  Holy shit! You just took care of all of my XMas shopping for me.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  The job of a good writer, a bad writer just holds your hand.</p>
<p><b>Helen</b>  Hey, Chuck&#8211;I run a charity. Do you do item donations for charity auctions? Sorry to solicit you directly&#8211;normally, we send letters to PR agents, but you&#8217;re here.</p>
<p><b>Scott</b>  Helen, can&#8217;t take you anywhere.</p>
<p><b>Scott</b>  :></p>
<p><b>Helen</b>  You can&#8217;t even dress me up!</p>
<p><b>environment.guide</b>  lol</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  I&#8217;ve given away pretty much everything except a few things I really care about. So I have nothing left to give away at this point. In fact, my little nephew has most of it.</p>
<p><b>Helen</b>  haha</p>
<p><b>Helen</b>  Okay, thanks for not scolding me</p>
<p><b>Scott</b>  So the sort of Buddhist shedding of the material life in <i>Fight Club</i> comes straight from the heart?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  LOL, it does?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  I was trying to make fun of faux buddhists.</p>
<p><b>Helen</b>  What kinds of things did you care enough about to keep? Paper, blanket, socks, pen?</p>
<p><b>Helen</b>  As we can all tell, I&#8217;m freezing and my feet have turned to ice.</p>
<p><b>Baitsell</b>	 . . . motorcycles, drugs, vinyl . . .</p>
<p><b>Helen</b>  haha</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Things I use on a daily basis.</p>
<p><b>Helen</b>  <i>Fight Club</i> Soap?</p>
<p><b>Scott</b>  So would you say you were satarizing the sort of grunge Kurt Cobain nihilism attitude?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Like my <i>Fight Club</i> clock.</p>
<p><b>Helen</b>  LOL</p>
<p><b>Scott</b>  Speaking of time, I think we&#8217;ve got about five minutes here. Any last questions for Chuck?</p>
<p><b>Baitsell</b>	 Is it an alarm clock <img src='http://retts.net/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' /> </p>
<p><b>environment.guide</b>  Chuck, you seem like an ordinary guy, how did you stop fame from going to your head?</p>
<p><b>Helen</b>  This was so much fun! Thanks, Chuck. Please put up a website so we can read stuff by you on a regular basis!</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  No, I&#8217;m not satarizing that, but trying to take it a step further to say that if nothing matters, then why does it matter if we care about something? And doesn&#8217;t that give us the freedom to commit ourselves to anything?</p>
<p><b>Scott</b>  does it?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  I live in Portland, Oregon. I don&#8217;t have tv.</p>
<p><b>Helen</b>  That&#8217;s exactly what you got across in the book!</p>
<p><b>Helen</b>  But even if you have that freedom, if nothing matters, why commit?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font> Yes, nihilism lets us determine what matters.</p>
<p><b>Helen</b>  Whoops, I&#8217;m lost.</p>
<p><b>Baitsell</b>	If it&#8217;s all shit, whatever doesn&#8217;t float matters.</p>
<p><b>Helen</b>  If we&#8217;re nihilistic, doesn&#8217;t NO THING matter?</p>
<p><b>Scott</b>  Nothing matters except what&#8217;s left after the head lice have had their way with you.</p>
<p><b>Helen</b>  LOL&#8211;5th grade matters</p>
<p><b>Helen</b>  Question&#8211;doesn&#8217;t comfort play into this?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Comfort sucks.</p>
<p><b>Helen</b>  I mean, all these things (and head lice) are really about being comfortable or uncomfortable.</p>
<p><b>Baitsell</b>	Spoken like a man with house mates!</p>
<p><b>Helen</b>  Or like a man who writes about people beating themselves up to feel alive?</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  I&#8217;m currently doing everyone&#8217;s laundry today.</p>
<p><b>Baitsell</b>  LOL, good to see this stuff hasn&#8217;t gone to your head.</p>
<p><b>environment.guide</b>  Do they pay you to do their laundry?</p>
<p><b>Helen</b>  Pour detergent on it Put it outside in the rain</p>
<p><b>Helen</b>  Bring it in to dry</p>
<p><b>Scott</b>  Thanks a lot for coming Chuck, and if you&#8217;re ever in Chicago, I&#8217;d love for you to buy me a beer.</p>
<p><b>Scott</b>  assuming you&#8217;d be comfortable with that.</p>
<p><b>Baitsell</b>	 Hey, if you&#8217;re buying, come to Athens, GA too!</p>
<p><b>Helen</b>  And let me know if you read at Cody&#8217;s&#8211;I&#8217;ll fly up</p>
<p><b>Helen</b>  How you would remember to let me know (and how) is beyond me.</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Next time I&#8217;m on tour, I will buy beers for everybody!</p>
<p><b>environment.guide</b>  I&#8217;ll make the drive up I5</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>	If I read at Cody&#8217;s it will be advertised, I&#8217;m sure.</p>
<p><b>Helen</b>  Environment.guide and I are going to carpool, to save our natural resources!</p>
<p><b>Helen</b>  All the way down here?</p>
<p><b>Helen</b>  I&#8217;d better get myself on the mailing list.</p>
<p><b>environment.guide</b>  thanks Helen</p>
<p><font COLOR="#FF0000"><b>Chuck Palahniuk</b></font>  Goodnight from Portland, Oregon.</p>
<p><b>Helen</b>  Goodnight!</p>
<p><b>Scott</b>  I&#8217;m sure Elizabeth (who&#8217;s typing) is getting tired. I&#8217;m buying Chuck&#8217;s other two books, and you should too.</p>
<p><b>Baitsell</b>  Thanks for your time</p>
<p><b>Scott</b>  Goodnight.</p>
<p>This is a transcript of a chat that took place on the Authors site at About.com.</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/1999/11/chat-with-chuck-palahniuk/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chat with Kinky Friedman</title>
		<link>http://retts.net/index.php/1999/09/chat-with-kinky-friedman/</link>
		<comments>http://retts.net/index.php/1999/09/chat-with-kinky-friedman/#comments</comments>
		<pubDate>Thu, 01 Jan 1970 03:59:59 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[books]]></category>
		<category><![CDATA[interviews]]></category>

		<guid isPermaLink="false">http://retts.net/2005/04/08/chat-with-kinky-friedman/</guid>
		<description><![CDATA[Friday Night September 24th, 1999 at 9 P.M. EDT Kinky Friedman Hello Scott Looks like Kinky Friedman has joined us. Welcome, Kinky. Kinky Friedman Thanks Glad ing yeah! Scott So where are you at geographically right now? Kinky Friedman It&#8217;s been a financial pleasure. Kinky Friedman Atlanta Georgia, I think. Kinky Friedman Last stop on <a href='http://retts.net/index.php/1999/09/chat-with-kinky-friedman/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>Friday Night September 24th, 1999 at 9 P.M. EDT</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Hello</p>
<p><b>Scott </b> Looks like Kinky Friedman has joined us. Welcome, Kinky.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Thanks Glad</p>
<p><b>ing</b> yeah!</p>
<p><b>Scott </b> So where are you at geographically right now?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> It&#8217;s been a financial pleasure.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Atlanta Georgia, I think.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Last stop on the book tour.</p>
<p><b>Scott </b> So do you do tours separately for your CDs?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> When possible, yes, I have a schizo audience half read the books half are into the music</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> half dont give a damn.</p>
<p><b>Scott </b> So do you consider yourself more of a writer, or a recording<br />
artist? How do you balance the two?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> I&#8217;ve been touring since Christ was a cowboy in other words&#8211;three weeks</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Definitely more of a pointy headed intellectual novelist.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> But I still sing in the shower and in europe.</p>
<p><b>Scott </b> Do you ever write on the road?</p>
<p><b>ing</b> kinky, whats the apartment no. in vandam st ?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> impossible to write on the road, wish I could.</p>
<p><b>Ryan</b> If anyone has a question for Kinky, feel free to ask it now. If-<br />
more people join, I&#8217;ll start a list of people to avoid confusion.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> It&#8217;s hard enough to find time to eat on the road.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> The real number is 99.</p>
<p><b>Scott </b> So how did you make the shift from recording artist to writer.<br />
What inspired that move?</p>
<p><b>nudnick</b> kinky, you can always find road kill.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> You have to fail at one thing before you succeed at another.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> nudnick&#8211;thanks for the tip, it would be cost effective too.</p>
<p><b>Scott </b> So you&#8217;re a character in <i>Spanking Watson,</i> and in other books. Is<br />
it weird having a fictional identity you named after yourself?</p>
<p><b>ing</b> kinky, how long did it take to belt out this last novel?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> <i>Spanking Watson</i> was fast, just sort of threw the plot out the<br />
window and went from there.</p>
<p><b>Scott </b> Do you ever take events from your life and work them into the fiction?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> I am going to Europe to do 55 shows starting October 7 with Little Jewford, from the Texas Jewboys.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> I expect to come back bigger than Robert Frost.</p>
<p><b>Scott </b> At least more alive <img src='http://retts.net/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> &#8211; absolutely, of course my life is a work of fiction, but I have effectively erased the line between fiction and non fiction in my book.</p>
<p><b>ing</b> dont suppose your including Australia in your tour?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Almost everything is true.</p>
<p><b>Scott </b> So your real pals become characters in your work?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> ing &#8211; sure would love to go, probably will get there in January.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> I miss my goddaughter and my kookaburras.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font>&#8211;Yes&#8211;it keeps me company when I am writing alone on the ranch.</p>
<p><b>Ryan</b> how do they feel about that&#8230; or do they know about it?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Most of them are enjoying the ride.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> You would have to ask them.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> No lawsuits yet.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> kinkyfriedman.com is where you can find the itinerary for the upcoming European tour.</p>
<p><b>Scott </b> I love the fact that you came out with a self-tribute album. Does your music help sell your books and vice versa?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> The Wildman from Borneo Tour.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> I would have to defer that question to a marketing genius like<br />
Garth Brooks.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Thank God he hasn&#8217;t written a book yet.</p>
<p><b>Scott </b> So what other novelists do you admire?</p>
<p><b>ing</b> kinky, tell us what <i>eat drink and be kinky is,</i> i&#8217;ve just discovered this title and want to know is it a recipe book?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Most of them are dead: Robert Louis Stevenson, F Scott Fitzgerald, Charles Bukowski.</p>
<p><b>Jeannie</b> What is the worst advice you were given when first<br />
beginning to write?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> I also like Robert B Parker.</p>
<p><b>Scott </b> Noticed Camus made a couple appearances in <i>SW.</i></p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Outline everything first was the worst advice, that is always a mistake.</p>
<p><b>Jeannie</b> I agree; find that outlining is very constricting&#8211;limiting, that is.</p>
<p><b>Scott </b> So you pretty much work without knowing where the stories headed? Without a net, sort of. . .</p>
<p><b>Jeannie</b> reminds me of outlining in English class in high school; hated it.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> &#8211; yes along with another great frenchman LePetomane.</p>
<p><b>Jeannie</b> So, what is the BEST advice you&#8217;ve gotten?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Outlining results in formulaic New York times bestseller crap.</p>
<p><b>Jeannie</b> lol</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Write the book to a silent witness, like a cat or a dead person or a long lost lover.</p>
<p><b>Jeannie</b> Kinky, as you may have assumed I am a writer. I prefer to bascically go to the computer and just start writing.</p>
<p><b>Scott </b> What&#8217;s your favorite book that you&#8217;ve written?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Write the book LIKE A LETTER to the cat, lover or dead person.</p>
<p><b>yazzle</b> anyone here written any good EPILGOUES lately?!?!?!</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font>&#8211;always the next one.</p>
<p><b>Scott </b> other than that one?</p>
<p><b>Jeannie</b> So, you ingnore the &#8216;censor on your shoulder&#8217;?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> <i>The Mile High Club</i> is the next one and it is the best one, and<br />
it is finished. It actually has a plot&#8211;but dont hold that against it.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Jeannie&#8211;I have an angel on my shoulder.</p>
<p><b>Jeannie</b> Good way to look at it, Kinky. <img src='http://retts.net/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p><b>Scott </b> So you know Bob Dylan&#8211;what&#8217;s he like in person?</p>
<p><b>Jeannie</b> I do my best, when writing, NOT to think of what someone may think when they read what I&#8217;ve written</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> &#8211; he gave me a cuban cigar in Dallas last week, thought that was very nice.</p>
<p><b>yazzle</b> Jeannie&#8211;are you published?</p>
<p><b>Scott </b> Do you still play with him?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> He&#8217;s a very funny, gentle, ruthless, thin kind of guy.</p>
<p><b>Jeannie</b> locally; I&#8217;ve had some articles published, but none of my fiction has been&#8211;yet.</p>
<p><b>Ryan</b> aussiebob, Welcome to the Chat Room, with special guest<br />
author Kinky Friedman. &#8230; Feel free to ask Kinky a question. If the room<br />
gets crowded, however, I&#8217;ll be starting a discussion queue.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Jeannie, that is exactly right, you have to write with a<br />
disregard for the reader, that is the only honest way.</p>
<p><b>yazzle</b> Kinky&#8211;do you write every day?</p>
<p><b>Jeannie</b> I think too many sit down and write for the public.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> No to playing with Bob Dylan, we are thinking about doing some traveling out west, Way Out West.</p>
<p><b>Jeannie</b> Romance writers especially.</p>
<p><b>Scott </b> How does the publishing industry compare with the music industry from your exp. as an artist?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> yazzle&#8211;yes when I am not on the road. Of course it helps to be unemployed.</p>
<p><b>yazzle</b> are you sort of strict in the discipline? like&#8211;ok&#8211;between 9am and 5pm I write . . .</p>
<p><b>Jeannie</b> Don&#8217;t you think that telling a neophyte writer to write every day<br />
without fail may take away some of the fun?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> I think the music industry is a bit less honest if that is<br />
possible.</p>
<p><b>yazzle</b> Jeannie&#8211;that&#8217;s what I was wondering . . .</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> yazzle&#8211;NO, I just keep a page in the typewriter and work when<br />
the mood hits me. Of course the only two people in America who still use the typewriter are Kinky Friedman and the Unibomber.</p>
<p><b>Jeannie</b> I write because I love it; not because I have to. It&#8217;s not a job to me; it&#8217;s fun, and like Stephen King says: I&#8217;ll stop when the fun goes out<br />
of it.</p>
<p><b>yazzle</b> do you rewrite a lot lot lot???</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> No, just a bit&#8211;</p>
<p><b>Jeannie</b> King uses an IBM Selectric.</p>
<p><b>Jeannie</b> I LOVE revising.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> I think the editor should earn his money.</p>
<p><b>Scott </b> Have you had good relationships with your editors?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> King&#8211;that figures, haven&#8217;t run into him lately.</p>
<p><b>Unknown</b> Who&#8217;s your agent Kninky?</p>
<p><b>Unknown</b> Kinky, sorry.</p>
<p><b>Jeannie</b> was that a joke?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Great relationship with my editors. Chuck Adams, my old editor was Jim Landis, also Jane Cavelina. Esther Lobster Newburg is my agent, and I will defer any questions to her.</p>
<p><b>yazzle</b> do you send your manuscript through to your editor as you write, or just when it is finished??</p>
<p><b>Scott </b> So do have multi-book contracts, or do you pitch them one at a time?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> But It doesnt pay to change agents, as Joseph Heller said, every change is for the worse.</p>
<p><b>Jeannie</b> I read recently that someone else used your agent; think I read it in <i>Writer&#8217;s Digest</i> or <i>Fiction Writer.</i></p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> I have a three book deal with Simon &#038; Schuster.. .two of which are written, one of which is still out there.</p>
<p><b>Jeannie</b> I&#8217;ve got three sequels in mind to the novel I&#8217;m currently working on.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Two books are written but not published yet. <i>The Mile High Club</i> and <i>Stepping on a Rainbow.</i></p>
<p><b>Scott </b> I caught some touches of Heller in your work. You a big fan of <i>Catch-22?</i></p>
<p><b>Jeannie</b> how would that sound to a publisher?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> I think it&#8217;s a great book&#8211; although it hasnt caused as many deaths as the bible, it has<br />
caused a few people to think about the nature of life.</p>
<p><b>yazzle</b> sorry to ask twince &#8230; but do you send your manuscript through to<br />
your editor as you write, or just when it is finished??</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> yazzle&#8211;just when it is finished . . . when I think it is finished, he doesn&#8217;t always agree.</p>
<p><b>yazzle</b> aha</p>
<p><b>yazzle</b> and how long does it take you to write a book?</p>
<p><b>Jeannie</b> Would a publisher be excited to know that I have three sequels in<br />
mind, using the same basic characters, to the novel I&#8217;m currently working<br />
on?</p>
<p><b>Scott </b> You&#8217;re a real master of the great title&#8211;Need to say that the<br />
title of <i>The Love Song of J. Edgar Hoover</i> is classic in and of itself.</p>
<p><b>Unknown</b> I noticed in <i>Spanking Watson</i> you cited Ginsberg &#038; Camus, practically in the same paragraph . . .</p>
<p><b>Unknown</b> Which one is your favorite of the two?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Jeannie, yes that is all to the good. But first you need a<br />
complete manuscript.</p>
<p><b>ing</b> kinky,in your new novel do you get it on with winnie?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> yazzle&#8211;maybe two or three months if life doesn&#8217;t get in the<br />
way.</p>
<p><b>Jeannie</b> It&#8217;s nearly finished; am doing the second draft of the first book. What is my next step?</p>
<p><b>yazzle</b> wow! that is FAST!!!!!!!!!!!!!!!!!!</p>
<p><b>yazzle</b> I just wrote one and it took nearly two years.</p>
<p><b>Unknown</b> <i>The Love Song of J. Edgar Hoover.</i> Kudos on the title. Actually, can<br />
I use that?</p>
<p><b>Jeannie</b> yazzle, same here.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Ginsberg is the devil I know.</p>
<p><b>yazzle</b> THREE MONTHS!!!! I bow down</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> yazzle, I pretend that I am Oscar Wilde behind bars with my hair on fire.</p>
<p><b>yazzle</b> lol</p>
<p><b>Jeannie</b> took me six months of research and then took another 3 months to<br />
write the first draft.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Unknown, Be my Guest!</p>
<p><b>Scott </b> What would you say to beginning novelists about promoting their<br />
work?</p>
<p><b>yazzle</b> I trashed everything I wrote in the first 9 months.</p>
<p><b>Unknown</b> Thanks man.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> yazzle, Not always that fast.</p>
<p><b>yazzle</b> Phew</p>
<p><b>Dirk</b> Uh, hold on . . .</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Okay Unknown.</p>
<p><b>Ryan</b> since we&#8217;re getting a little crowded in here, I&#8217;m going to start a<br />
queue for questions. If you have a question for Kinky, please type a &#8220;?&#8221; or a &#8220;!&#8221; and I&#8217;ll add you to the list.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Georges Simenon could write a novel in two weeks.</p>
<p><b>Jeannie</b> Kinky, thanx for talking with me; good luck on your next book (s).</p>
<p><b>yazzle</b> mon dieu.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Jeannie&#8211;Good Luck on your book.</p>
<p><b>yazzle</b> Good luck, Jeannie!</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> yazzle&#8211;I don&#8217;t speak Italian.</p>
<p><b>Jeannie</b> Thank you!</p>
<p><b>Unknown</b> ? Kinky, did you meet Tom Waits?</p>
<p><b>Jeannie</b> bye</p>
<p><b>yazzle</b> ?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Yes, Tom and I were old friends in LA, twenty years ago.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Now we are penpals.</p>
<p><b>Dirk</b> How&#8217;s he doing?</p>
<p><b>Dirk</b> Waits writes well.</p>
<p><b>yazzle</b> Can you tell us about marekting? There are so many great books out every month&#8211;how can you get &#8216;noticed&#8217;?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> No one knows, he is the Howard Hughes of modern music.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Waits is a genius.</p>
<p><b>Unknown</b> Why do you think Ginsberg is the devil?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> yazzle&#8211;That is a tough one. The best way is to have an affair<br />
with Sharon Stone.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> If you can&#8217;t do that, go on Oprah.</p>
<p><b>yazzle</b> great idea! shame she&#8217;s married and I&#8217;m straight!</p>
<p><b>Unknown</b> I did that actually.</p>
<p><b>Scott </b> How is Sharon?</p>
<p><b>Unknown</b> She&#8217;s fine.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Nothing has changed, the best writers are still dying in the<br />
gutter.</p>
<p><b>yazzle</b> noooo!</p>
<p><b>Dirk</b> Yeah.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> I say Devil in a good way.</p>
<p><b>Scott </b> From drink or lack of sales?</p>
<p><b>yazzle</b> Do you think every new sends their book to Oprah?</p>
<p><b>Unknown</b> Living large in the gutter. Unknown.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Ginsberg was an important Jewish troublemaker, not unlike Jesus himself. And he was not afraid to mingle his life with his work.</p>
<p><b>yazzle</b> what do you mean&#8211; &#8220;mingle his life with his work&#8230;&#8221;?</p>
<p><b>Scott </b> So do people ever make assumptions about you personally from reading about your character in your work?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> All great writers have been alcohololic.</p>
<p><b>Scott </b> Has that ever put you in an uncomfortable situation?</p>
<p><b>yazzle</b> Why do you think drink and drugs are so writing-inducing?!!!??!!??!?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> most of them didnt sell very well in their lifetime. None of<br />
them sold as well as Dean Koontz.</p>
<p><b>yazzle</b> Would you ever admit that in public???</p>
<p><b>Scott </b> Noted you&#8217;re a Jameson&#8217;s man.</p>
<p><b>Unknown</b> Your fictional charcter named &#8220;Kinky.&#8221;</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> They would be quite correct in making those assumptions.</p>
<p><b>Unknown</b> I like Jamesons.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> and it never puts me in an uncomfortable position. Nothing bothers the Kinkster.</p>
<p><b>Dirk</b> Kentucky bourbon.</p>
<p><b>Dirk</b> And cigars.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Yes, but I am not heavily Guinness. The drink that kept the Irish from taking over the world.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> WHOOPS.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> I am NOW heavily into Guiness.</p>
<p><b>yazzle</b> watch your waistline, kink.</p>
<p><b>Scott </b> You&#8217;ll have to drink with The Unknown sometime.</p>
<p><b>Unknown</b> That passage about the city, the Ginsberg part, was cool. In<br />
<i>Spanking Watson.</i></p>
<p><b>Unknown</b> Drink with me.</p>
<p><b>aussiebob</b> Kinky, any plans to come back to Australia soon, for music or<br />
literary purposes?</p>
<p><b>Dirk</b> Were you ever a starving artist?</p>
<p><b>Scott </b> I think we have time for five more questions, or so, then we&#8217;ll let Kinky get back to the business of writing.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Thanks Unknown, you are a discerning American.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Aussie, will be down there in January, for what purpose I am<br />
not sure.</p>
<p><b>yazzle</b> Come on down!</p>
<p><b>Scott </b> So what&#8217;s the most fun you&#8217;ve ever had as a writer, Kinky?</p>
<p><b>aussiebob</b> we&#8217;ll all watch out for y&#8217;all.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> TO paraphrase Truman Capote, having written.</p>
<p><b>yazzle</b> Kinky&#8211;do you ever HATE what you have written? And then love it<br />
again later?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Starving artist, probably, cannot remember the first half of<br />
my life.</p>
<p><b>Unknown</b> Thanks. And thanks for the great title. Who&#8217;s the most dangerous<br />
artist you&#8217;ve ever drunk with?</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> aussie&#8211;Look forward to seeing you little buggers down there.</p>
<p><b>yazzle</b> It&#8217;s sunny here in Sydney today.</p>
<p><b>Dirk</b> Me neither.</p>
<p><b>ing</b> no its not sunny here yazzle</p>
<p><b>yazzle</b> it&#8217;s sunny in Bondi!</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Tom Waits or Abbey Hoffman.</p>
<p><b>Unknown</b> Oh man. Abbie.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> sorry . . the spelling.</p>
<p><b>Unknown</b> No prob.</p>
<p><b>Unknown</b> He was a yippie freak.</p>
<p><b>Unknown</b> Like me.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Yep.</p>
<p><b>Scott </b> One last ? here if you had to choose: Beatles or the Rolling Stones?</p>
<p><b>Unknown</b> Beatles. Oh you&#8217;re asking Kinky. Sorry.</p>
<p><b>yazzle</b> Van Morrison, actually.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Well the Beatles say &#8220;I believe in Yesterday.&#8221; The Rolling Stones say, Yesterday don&#8217;t matter when it&#8217;s gone. I say, &#8220;Find what you like and let it kill you.&#8221;</p>
<p><b>Unknown</b> Ruby Tuesday.</p>
<p><b>yazzle</b> Except when you get your gorgeous 20-something mistress preggers.</p>
<p><b>Unknown</b> Yeha. Unknown.</p>
<p><b>Unknown</b> oops.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> That&#8217;s a good one.</p>
<p><b>Scott </b> Amen. Thanks for joining us tonight Kinky.</p>
<p><b>yazzle</b> thanks Kinky</p>
<p><b>ing</b> yeah, ta kinky.</p>
<p><b>Unknown</b> Thanx Kinky.</p>
<p><b>Unknown</b> HTTP://WWW.SOA.UC.EDU/USER/UNKNOWN/dirk.htm</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Remember, the Lord helps those who help the Kinkster. If you are driving folks, don&#8217;t forget your car.</p>
<p><b>aussiebob</b> thanks cobber.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Thanks very much, it&#8217;s been a financial pleasure.</p>
<p><b>Unknown</b> $!</p>
<p><b>yazzle</b> bye then</p>
<p><b>Scott </b> Have a good night. May you be paid well in all future endeavors.</p>
<p><font COLOR="#990000"><b>Kinky Friedman</b></font> Bye.</p>
<hr />
<b>Kinky Friedman</b> lives in a little green trailer in a little green valley deep in the heart of Texas. There are about fifty million imaginary horses in the valley, and quite often they gallop around Kinky&#8217;s trailer, encircling the author in a terrible, ever-tightening carousel of death. Even as the hooves are pounding around him in the darkest night, one can hear, almost in counterpoint, the frail, consumptive, ascetic novelist tip-tip-tapping away on the last typewriter in Texas. In such fashion he has turned out twelve novels, including <i>Blast from the Past, Roadkill, The Love Song of J. Edgar Hoover, God Bless John Wayne, Armadillos &#038; Old Lace,</i> and <i>Elvis, Jesus &#038; Coca Cola.</i> A pet armadillo called Dilly, a small black dog named Mr. Magoo, and two cats &#8212; Dr. Scat and Lady Argyle-can sometimes be found sleeping with Kinky in his narrow, monastic Father Damien-like bed.</p>
<p>This is a transcript of a chat that took place on the Authors site at About.com in September 1999.</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/1999/09/chat-with-kinky-friedman/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

