<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Scott Rettberg &#187; poetry</title>
	<atom:link href="http://retts.net/index.php/tag/poetry/feed/" rel="self" type="application/rss+xml" />
	<link>http://retts.net</link>
	<description>read the web</description>
	<lastBuildDate>Wed, 01 Jun 2011 15:06:49 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.1.3</generator>
		<item>
		<title>E-poetry 2007 Paris Cellfone Video Documentary Extravaganza</title>
		<link>http://retts.net/index.php/2007/05/e-poetry-2007-paris-cellfone-video-documentary-extravaganza/</link>
		<comments>http://retts.net/index.php/2007/05/e-poetry-2007-paris-cellfone-video-documentary-extravaganza/#comments</comments>
		<pubDate>Sun, 27 May 2007 11:24:02 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[conferences]]></category>
		<category><![CDATA[digital art]]></category>
		<category><![CDATA[digital culture]]></category>
		<category><![CDATA[Grand Text Auto]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[travel]]></category>

		<guid isPermaLink="false">http://retts.net/2007/05/27/e-poetry-2007-paris-cellfone-video-documentary-extravaganza/</guid>
		<description><![CDATA[First of all, let me point in brief to networked_performance for Simon Biggs&#8217; very good report on the E-poetry 2007 Festival in Paris. I agreed with him that Robert Simanowski&#8217;s close reading of &#8220;Listening Post&#8221; was probably the best of the academic papers presented during the conference. I was also a fan of Jim Carpenter&#8217;s <a href='http://retts.net/index.php/2007/05/e-poetry-2007-paris-cellfone-video-documentary-extravaganza/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>First of all, let me point in brief to networked_performance for Simon Biggs&#8217; <a href="http://www.turbulence.org/blog/archives/004315.html">very good report</a> on the <a href="http://www.epoetry2007.net/">E-poetry 2007 Festival</a> in Paris. I agreed with him that Robert Simanowski&#8217;s close reading of &#8220;Listening Post&#8221; was probably the best of the academic papers presented during the conference. I was also a fan of Jim Carpenter&#8217;s presentation, in which he talked in a clear and pragmatic way about best practices for writing good code for epoetry, including distributing source code so that others can learn from it. Carpenter recently released a new version of his <a href="http://etc.wharton.upenn.edu:8080/Etc3beta/Advanced.jsp">poetry engine</a>, which will write some pretty good poems for you. There were many other papers and panel discussions as well, though this festival was primarily about the poetry. For four nights in a row, there were three to four hours of poetry readings. The E-Poetry scene is much more performance-oriented than other venues for electronic writing, and some of the performances were much more video art or performance (for example one work allegedly about the objectification of women included the performer disrobing on stage &#8212; providing the Festival with an early controversy, which all such gatherings require) than they were electronic writing as it is usually understood. That was fine with me. Overall, I appreciated my first experience of this very vibrant scene that exists between visual, conceptual, performance, computer, and writing. I also enjoyed the opportunity to meet many writers I have worked with and communicated with extensively online in person, in addition to spending time with old friends in one of the world&#8217;s great cities. Rather than a more formal report, I offer you this cellphone video extravaganza &#8212; short clips of 30 seconds to a minute of many readings from the festival. Forgive the quality &#8212; it was my phone used in dark crowded rooms filled with poets drinking in the poetry, after all.</p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/2fRFdy1U2jg"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/2fRFdy1U2jg" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
A Brazilian epoet setting fire to her poems onstage, a la Jimi Hendrix.<br />
<span id="more-531"></span></p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/tVIGyp02vbU"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/tVIGyp02vbU" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
<a href="http://www.epoetry2007.net/artists/oeuvres/piringer/piringer.html">Jeorg Piringer</a> Performing at Divan Du Monde on the first night of the E-Poetry 2007 Festival in Paris.</p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/stffm5Uobek"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/stffm5Uobek" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
<a href=http://epc.buffalo.edu/authors/glazier/">Loss Glazier</a>&#8216;s poem, performed with dancers.</p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/lWcw56biccI"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/lWcw56biccI" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
<a href="http://web.njit.edu/~funkhous/">Chris Funkhouser</a> reading from under a sheet, a work with featured dariens, stinky fruit.</p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/XSTIUolnMto"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/XSTIUolnMto" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
<a href="http://www.epoetry2007.net/artists/oeuvres/rosenberg/rosenberg.html">Jim Rosenberg</a> reading &#8220;Braided Vortex&#8221; during the second night of the Festival.</p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/ssn40GE72ws"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/ssn40GE72ws" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
<a href="http://www.technekai.com/">Aya Karpinska</a>&#8216;s reading, one of the best performances at EPoetry.</p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/6NU-hGoRGt0"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/6NU-hGoRGt0" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
<a href="http://www.epoetry2007.net/artists/oeuvres/strickland/strickland.html">Stephanie Strickland &#038; Cynthia Lawson Jarmillo</a> demonstrating &#8220;Slipping Glimpse.&#8221;</p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/n3VmepDg0t4"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/n3VmepDg0t4" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
The Grand Text Auto Paris interview of John Cayley and Talan Memmott.</p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/GQf0DtwDBY0"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/GQf0DtwDBY0" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
I broke away from the conference for a few hours to catch the Samuel Beckett exhibition at the Pompidou. Here&#8217;s a bit of &#8220;Not I.&#8221;</p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/sDWYN4iXNSM"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/sDWYN4iXNSM" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
<a href="http://www.epoetry2007.net/artists/oeuvres/cayley/cayley.html">John Cayley&#8217;s Imposition</a> was a work that enlisted the audience to download and play one of about 20 files, creating a whispering cacophony in the auditorium.</p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/YdNDBfrDoXw"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/YdNDBfrDoXw" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
<a href="http://www.epoetry2007.net/artists/oeuvres/mencia/mencia.html">Maria Mencia</a> demonstrating her cool interactive collage program &#8220;Cityscapes.&#8221;</p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/T7hoX9Rhajc"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/T7hoX9Rhajc" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
<a href="http://www.epoetry2007.net/artists/oeuvres/abrahams/abrahams.html">Annie Abrahams&#8217; &#8220;peurs fears&#8221;</a> &#8212; a bilingual poem for 12 voices based on internet postings about fear.  </p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/yi3RVOSqeHM"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/yi3RVOSqeHM" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
<a href="http://www.epoetry2007.net/artists/oeuvres/montfort/montfort.html">Anick Bergeron</a> performing her French translation/remediation of Nick Montfort&#8217;s &#8220;Ream.&#8221;</p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/KYpK6DKdfUw"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/KYpK6DKdfUw" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
<a href="http://www.memmott.org/talan/">Talan Memmott</a>&#8216;s &#8220;Twittering,&#8221; an installation/experimental novel/performance.</p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/aSKqyXO6q0Q"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/aSKqyXO6q0Q" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
<a href="http://www.epoetry2007.net/artists/oeuvres/bootz/bootz.html">Phillippe Bootz</a>&#8216;s &#8220;See Venice and Die&#8221; was the closing piece of the E-poetry 2007 festival.</p>
<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/abW-BGb3Ou0"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/abW-BGb3Ou0" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
A view of Paris from the Pompidou escalator. Au revoir!</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2007/05/e-poetry-2007-paris-cellfone-video-documentary-extravaganza/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Po-Ex &#8212; Portuguese EPoetry</title>
		<link>http://retts.net/index.php/2007/05/po-ex-portuguese-epoetry/</link>
		<comments>http://retts.net/index.php/2007/05/po-ex-portuguese-epoetry/#comments</comments>
		<pubDate>Mon, 21 May 2007 12:57:21 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[conferences]]></category>
		<category><![CDATA[e-lit]]></category>
		<category><![CDATA[poetry]]></category>

		<guid isPermaLink="false">http://retts.net/2007/05/21/po-ex-portuguese-epoetry/</guid>
		<description><![CDATA[After a late night of epoetry readings in a smokefilled theater in Montmartre (more on that later) and the excess you&#8217;d expect, after getting lost in St. Denis (I think I wandered into one of the neighborhoods where they set cars on fire during the riots), I finally found my way to Auditorium X and <a href='http://retts.net/index.php/2007/05/po-ex-portuguese-epoetry/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>After a late night of epoetry readings in a smokefilled theater in Montmartre (more on that later) and the excess you&#8217;d expect, after getting lost in St. Denis (I think I wandered into one of the neighborhoods where they set cars on fire during the riots), I finally found my way to Auditorium X and have witnessed a few panels here at Paris 8. Just a quick note: Pedro Reis (of Fernando Pessoa University) gave a presentation on an upcoming publication, a collection of epoetry in Portuguese which will be published both online and on CD-ROM, the <a href="http://po-ex.net/">Po-Ex</a> project.</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2007/05/po-ex-portuguese-epoetry/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jeorg Piringer Performance at EPoetry 2007</title>
		<link>http://retts.net/index.php/2007/05/jeorg-piringer-performance-at-epoetry-2007/</link>
		<comments>http://retts.net/index.php/2007/05/jeorg-piringer-performance-at-epoetry-2007/#comments</comments>
		<pubDate>Mon, 21 May 2007 12:44:21 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[conferences]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://retts.net/2007/05/21/jeorg-piringer-performance-at-epoetry-2007/</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/tVIGyp02vbU"></param> <embed src="http://www.youtube.com/v/tVIGyp02vbU" type="application/x-shockwave-flash" width="425" height="350"></embed></object></p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2007/05/jeorg-piringer-performance-at-epoetry-2007/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Thing 14: Valentine</title>
		<link>http://retts.net/index.php/2007/02/thing-14-valentine/</link>
		<comments>http://retts.net/index.php/2007/02/thing-14-valentine/#comments</comments>
		<pubDate>Thu, 15 Feb 2007 20:23:21 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[poetry]]></category>
		<category><![CDATA[thing-a-day]]></category>

		<guid isPermaLink="false">http://retts.net/2007/02/15/thing-14-valentine/</guid>
		<description><![CDATA[Valentine Valentine suffered from an unfortunate archery accident when she was 15 years old that severed the external pterygoideus muscle on her left cheek and left her with a slight tic for the rest of her days. Her parents were simple folk who thought it would be a good idea, kind of clever, to name <a href='http://retts.net/index.php/2007/02/thing-14-valentine/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p><strong>Valentine</strong></p>
<p>Valentine suffered from an unfortunate<br />
archery accident when she was 15 years<br />
old that severed the external pterygoideus<br />
muscle on her left cheek and left her<br />
with a slight tic for the rest of her<br />
days. Her parents were simple folk who<br />
thought it would be a good idea, kind<br />
of clever, to name her after the day<br />
she was born. Every year for her birthday<br />
she got chocolates and a dozen red roses.<br />
She grew to hate roses, eventually. Though<br />
she grew fond of orchids, and she never lost<br />
her taste for fudge. Her friends call her<br />
Val. She is a native of St. Petersburg,<br />
Florida and somewhat militantly against<br />
matchmaking. She doesn&#8217;t like to get<br />
involved in other people&#8217;s relationships.<br />
She says people should make<br />
their own mistakes.</p>
<p>She has a kind of funny<br />
smile, a strange dimple<br />
seen at happy hour when<br />
someone tells a dirty joke. She<br />
appreciates the audacity of<br />
poor taste, though she never<br />
laughs out loud.</p>
<p>Valentine drinks dry martinis, never the kind<br />
of syrupy pink concoctions with umbrellas<br />
or assorted fruits some others throw<br />
down. She sells life insurance but she&#8217;s<br />
not what you call a soft touch. She avoids<br />
the phrase &#8220;loved ones&#8221; and talks to you<br />
straight about aging and<br />
death, her long fingers<br />
finding your place on<br />
the actuarial table.<br />
She&#8217;s good at what<br />
she does, and no<br />
nonsense.</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2007/02/thing-14-valentine/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Thing 13: On the Moon</title>
		<link>http://retts.net/index.php/2007/02/thing-13-on-the-moon/</link>
		<comments>http://retts.net/index.php/2007/02/thing-13-on-the-moon/#comments</comments>
		<pubDate>Tue, 13 Feb 2007 20:38:11 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[poetry]]></category>
		<category><![CDATA[thing-a-day]]></category>

		<guid isPermaLink="false">http://retts.net/2007/02/13/thing-13-on-the-moon/</guid>
		<description><![CDATA[On the Moon Our residence on the moon is completely sustainable. If you look closely you can see the glint of our reflective solar panels just to the side of Copernicus, if you squint. In our hydroponic farm we grow heirloom tomatoes of many varieties: Oxheart, Dixie Golden Giant, Yellow Brandywine, Mandarin Cross, and Green <a href='http://retts.net/index.php/2007/02/thing-13-on-the-moon/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p><strong>On the Moon</strong></p>
<p>Our residence on the moon<br />
is completely sustainable.<br />
If you look closely you can<br />
see the glint of our reflective<br />
solar panels just to the side<br />
of Copernicus, if you squint.<br />
In our hydroponic farm we grow<br />
heirloom tomatoes of many<br />
varieties: Oxheart, Dixie Golden<br />
Giant, Yellow Brandywine, Mandarin<br />
Cross, and Green Zebra, just to<br />
name a few. We reuse everything<br />
on the moon, but the food is<br />
quite tasty. Nothing smells like<br />
piss at mealtime. I&#8217;ll confess<br />
I&#8217;d kill for a tender sirloin<br />
but we can do a lot of things<br />
with legumes on the moon. We<br />
get all of the channels on the<br />
satellite, and what we can&#8217;t<br />
get there we download off the<br />
internet. There is no such thing<br />
as piracy on the moon. Many things<br />
are legal on the moon. Harry and<br />
Frank got married just last week<br />
and we threw them a big party.<br />
Well, a big party for the moon.<br />
They get the same benefits as<br />
everyone else on the moon. We<br />
have a lot of cool robots and<br />
plenty of time for our hobbies<br />
and one cat who&#8217;s a bit skittish<br />
and a handball court in addition<br />
to the elliptical trainer and the<br />
treadmill here on the moon. Earth<br />
rise is so beautiful, darling, though<br />
the nights are very long on the<br />
moon. Burn a fire tonight, if you can.<br />
I&#8217;ll try to spot it with the<br />
telescope. I&#8217;ll just pretend<br />
if I can&#8217;t. I miss you<br />
here<br />
on the moon.</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2007/02/thing-13-on-the-moon/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Thing 12: Birds Have Names</title>
		<link>http://retts.net/index.php/2007/02/thing-12-birds-have-names/</link>
		<comments>http://retts.net/index.php/2007/02/thing-12-birds-have-names/#comments</comments>
		<pubDate>Mon, 12 Feb 2007 14:31:44 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[poetry]]></category>
		<category><![CDATA[thing-a-day]]></category>

		<guid isPermaLink="false">http://retts.net/2007/02/12/thing-12-birds-have-names/</guid>
		<description><![CDATA[Birds Have Names Another helicopter is falling from the sky, delicate things, these whirling birds of prey. These Black Hawks and Sea Knights have colorful names: EZ 40, Tarantula 26, Big Gun 72, Crazy Horse 08. Do surface to air missiles also have names? What about bombs? Little Boy and Fat Man sound like cartoon <a href='http://retts.net/index.php/2007/02/thing-12-birds-have-names/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p><strong>Birds Have Names</strong></p>
<p>Another helicopter is falling from the sky,<br />
delicate things, these whirling birds of prey.<br />
These Black Hawks and Sea Knights have colorful<br />
names: EZ 40, Tarantula 26, Big Gun 72, Crazy<br />
Horse 08. Do surface to air missiles also have<br />
names? What about bombs? Little Boy and Fat<br />
Man sound like cartoon characters with awful<br />
teeth. Nagasaki would have been spared were it<br />
not for a change in the weather. The ground<br />
is no better than the air for moving troops,<br />
supplies, and weapons. Are fire and water<br />
equally dangerous elements? Do car bombs also have<br />
names? Another 80 people dead in Baghdad. Why<br />
is it even more disturbing to read that the<br />
warehouse stored a great deal of clothing<br />
mannequins, which were scattered on the floor,<br />
in thick pools of blood? Real limbs scattered<br />
among false ones? Do window dressers name<br />
their mannequins, or do they simply say &#8220;this<br />
one, that one over there&#8221;? Is God really all<br />
that great? How many mannequins were produced<br />
worldwide last year? Would we notice if 34,452<br />
of them were destroyed? Would we care? What if<br />
every person killed in Iraq since the start<br />
of the war got their own mannequin, with its<br />
own special place in the Washington mall, and<br />
its own name, its own little history? How long<br />
is 34,452 moments of silence? How long until the<br />
first cough? What if we forget<br />
to breathe? When did you<br />
stop counting? </p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2007/02/thing-12-birds-have-names/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Thing 11: The Boy in the Bubble</title>
		<link>http://retts.net/index.php/2007/02/thing-11-the-boy-in-the-bubble/</link>
		<comments>http://retts.net/index.php/2007/02/thing-11-the-boy-in-the-bubble/#comments</comments>
		<pubDate>Sun, 11 Feb 2007 15:54:08 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[poetry]]></category>
		<category><![CDATA[thing-a-day]]></category>

		<guid isPermaLink="false">http://retts.net/2007/02/11/thing-11-the-boy-in-the-bubble/</guid>
		<description><![CDATA[The Boy in the Bubble the boy in the bubble wears lavender suede shoes, a blue serge suit, and a ruffled white shirt, pirate-style. you can watch him on his webcam, pay per view. he&#8217;s flamboyant and he plays keyboards better than elton john. sometimes the boy in the bubble does card tricks. the boy <a href='http://retts.net/index.php/2007/02/thing-11-the-boy-in-the-bubble/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p><strong>The Boy in the Bubble</strong></p>
<p>the boy in the bubble wears lavender<br />
suede shoes, a blue serge suit, and<br />
a ruffled white shirt, pirate-style.<br />
you can watch him on his webcam, pay<br />
per view. he&#8217;s flamboyant and he plays<br />
keyboards better than elton john. sometimes<br />
the boy in the bubble does card tricks.<br />
the boy in the bubble is now 38 years<br />
old and quite wealthy. he writes pilot<br />
episodes of situation comedies and<br />
scenarios for reality shows, often<br />
based on the short stories of franz<br />
kafka. the boy in the bubble eats<br />
canned egg-free cakes. his favorite<br />
flavor is chocolate. the boy in the<br />
bubble is allergic to the world but<br />
in love with its media. the boy in<br />
the bubble has asked that his bubble<br />
be surrounded by high definition<br />
plasma television screens. the boy in<br />
the bubble has wireless internet access<br />
and a personal assistant whom he<br />
sometimes treats poorly. the boy in<br />
the bubble has mood swings and no<br />
one can blame him. the boy in the<br />
bubble sucks his thumb while he watches<br />
danish pornography. the boy in the bubble<br />
has never known a woman&#8217;s touch. the boy<br />
in the bubble has several girlfriends on<br />
IRC, in south carolina, darwin, australia,<br />
and somewhere in finland. the boy in the<br />
bubble has a massage chair that brings him<br />
pleasure. the boy in the bubble knows most<br />
of the dialog from the star wars films<br />
by heart. the boy in the bubble likes the<br />
music of kiss, ac/dc, and shostakovich. the<br />
boy in the bubble listens to the fifth<br />
over and over again. the boy in the bubble<br />
owns time-shares in miami, aspen, and napa.<br />
the boy in the bubble rents them out for<br />
profit. the boy in the bubble has given up<br />
on the space suit. it gave him an awful<br />
cold and he nearly died. there is no cure.<br />
the boy in the bubble has significant<br />
investments in chinese insurance companies<br />
and canadian oil sands. certain smells make<br />
the boy in the bubble weep. the boy in the<br />
bubble writes star trek slash fan fiction.<br />
in the darkness, while he sleeps, the boy<br />
in the bubble feels just the same. now he<br />
rocks himself, gently, the boy in the bubble<br />
rocks himself to sleep.</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2007/02/thing-11-the-boy-in-the-bubble/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Thing 10: After Dream Dialog</title>
		<link>http://retts.net/index.php/2007/02/thing-10-after-dream-dialog/</link>
		<comments>http://retts.net/index.php/2007/02/thing-10-after-dream-dialog/#comments</comments>
		<pubDate>Sat, 10 Feb 2007 18:51:46 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[poetry]]></category>
		<category><![CDATA[thing-a-day]]></category>

		<guid isPermaLink="false">http://retts.net/2007/02/10/thing-10-after-dream-dialog/</guid>
		<description><![CDATA[After Dream Dialog -I dreamed I was in prison what prison? -it was like a prison on TV american? -probably what were the charges? -I&#8217;m not sure like on what show? -I don&#8217;t know don&#8217;t interrupt sorry -you were a guard I don&#8217;t like where this is going -no you were pretending to be a <a href='http://retts.net/index.php/2007/02/thing-10-after-dream-dialog/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p><strong>After Dream Dialog</strong></p>
<p>-I dreamed I was in prison<br />
what prison?<br />
-it was like a prison on TV<br />
american?<br />
-probably<br />
what were the charges?<br />
-I&#8217;m not sure<br />
like on what show?<br />
-I don&#8217;t know don&#8217;t interrupt<br />
sorry<br />
-you were a guard<br />
I don&#8217;t like where this is going<br />
-no you were pretending to be<br />
a correctional officer?<br />
-to break me out<br />
did I sneak in like a file, or?<br />
-I&#8217;m not sure<br />
did it work?<br />
-we were just talking I&#8217;m not<br />
I&#8217;m mean I&#8217;m sure I&#8217;d try<br />
-you hadn&#8217;t yet<br />
I&#8217;d work something out<br />
-it was bad in there<br />
like bad in what way<br />
-the people<br />
the people were what criminals?<br />
-yeah<br />
mean?<br />
-that&#8217;s right<br />
well I&#8217;d try, I mean I might<br />
-you might?<br />
I might hire a lawyer first<br />
-you wouldn&#8217;t come and save me?<br />
well I would, love, but gunplay<br />
-you&#8217;d break me out, wouldn&#8217;t<br />
gunplay&#8217;s not my forte<br />
-you wouldn&#8217;t, would you?<br />
I&#8217;d try baby, I&#8217;d try<br />
-in my dream you were going to<br />
I&#8217;d negotiate or whatever<br />
-hmmmmm<br />
coffee?</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2007/02/thing-10-after-dream-dialog/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Thing 9: Winter in the North</title>
		<link>http://retts.net/index.php/2007/02/thing-9-winter-in-the-north/</link>
		<comments>http://retts.net/index.php/2007/02/thing-9-winter-in-the-north/#comments</comments>
		<pubDate>Fri, 09 Feb 2007 14:52:59 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[poetry]]></category>
		<category><![CDATA[thing-a-day]]></category>

		<guid isPermaLink="false">http://retts.net/2007/02/09/thing-9-winter-in-the-north/</guid>
		<description><![CDATA[Winter in the North She makes an ice stew for breakfast and serves it in a porcelain bowl while wicked winter wind whips through windowpanes loosely glazed. The further north you go it seems the further north there is to serve as a point of reference, to make it seem less cold. Though I feel <a href='http://retts.net/index.php/2007/02/thing-9-winter-in-the-north/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p><strong>Winter in the North</strong></p>
<p>She makes an ice stew for breakfast<br />
and serves it in a porcelain bowl<br />
while wicked winter wind whips<br />
through windowpanes loosely glazed.</p>
<p>The further north you go<br />
it seems<br />
the further north there is<br />
to serve as a point of reference,<br />
to make it seem less cold.</p>
<p>Though I feel a chill in my<br />
bones, it is colder in Trondheim,<br />
and in Trondheim it is warmer than<br />
in Tromsø (the south of the North)<br />
where when speak of up north they<br />
mean Hammerfest and beyond. Hammer<br />
festers will begrudgingly admit they<br />
reside to the south of Longyearbyen,<br />
where no one thinks they live south<br />
of anywhere, except for the North<br />
Pole. While there is no permafrost<br />
in Hammerfest, Longyearbyen has<br />
plenty of tundra. Students there<br />
carry firearms in case of polar<br />
bear attack. Mørktid is long and<br />
to work in the coal mines there<br />
one must have a good work ethic<br />
and a sense of irony. Begrudge<br />
them not their sealskin boots,<br />
Southerners.</p>
<p>While -5° Celsius is cold in<br />
Bergen, back home in Chicago,<br />
it is currently -16° Celsius,<br />
which is balmy in comparison to<br />
the -35° Celsius in Jyvaskyla.<br />
That is quite cold. At the<br />
North Pole, the instruments<br />
are frosted over. Who knows?</p>
<p>Not so bad<br />
here,<br />
not so bad.</p>
<p>Tend to your glassy pavement.<br />
The oldsters slip and fall,<br />
crack and break,<br />
walk no more.</p>
<p>The glaciers are melting,<br />
the polar cap shrinks,<br />
and polar bears living in zoos<br />
in warm climates turn green<br />
from the algae that grows in<br />
their translucent hair.<br />
Someday we will miss long<br />
cold nights and things that stay<br />
frozen year-round. </p>
<p>Nevertheless, on mornings like this<br />
I feel that Eliot was a<br />
well-insulated dope.<br />
April has nothing<br />
on February for<br />
cruelty.</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2007/02/thing-9-winter-in-the-north/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Thing 8: My Dead</title>
		<link>http://retts.net/index.php/2007/02/thing-8-my-dead/</link>
		<comments>http://retts.net/index.php/2007/02/thing-8-my-dead/#comments</comments>
		<pubDate>Thu, 08 Feb 2007 13:51:14 +0000</pubDate>
		<dc:creator>Scott</dc:creator>
				<category><![CDATA[poetry]]></category>
		<category><![CDATA[thing-a-day]]></category>

		<guid isPermaLink="false">http://retts.net/2007/02/08/thing-8-my-dead/</guid>
		<description><![CDATA[This week I&#8217;m starting a new theme for my create-a-thing-a-day project: Poems from Bed. I&#8217;m going to try to come up with the first line of a poem before I get out of bed in the morning and finish it before the end of the day. Here&#8217;s the first one. My Dead Sometimes my dead <a href='http://retts.net/index.php/2007/02/thing-8-my-dead/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p>This week I&#8217;m starting a new theme for my create-a-thing-a-day project: Poems from Bed. I&#8217;m going to try to come up with the first line of a poem before I get out of bed in the morning and finish it before the end of the day. Here&#8217;s the first one.</p>
<p><strong>My Dead</strong></p>
<p>Sometimes my dead<br />
get carried away.<br />
They wake me<br />
(inappropriately)<br />
in the night<br />
and appear in<br />
strange groupings<br />
never seen in life.<br />
My grandmother for<br />
instance would have<br />
never hung around<br />
with the kid who<br />
bullied me at Carson<br />
Park who hung himself<br />
in jail before he turned<br />
twenty-one but there you<br />
have it.</p>
<p>My dead are never<br />
frightening. Is that<br />
strange? I think not.<br />
Ghosts either comfort<br />
or sadden the living.<br />
In spite of all the<br />
bad press, the dead<br />
only terrorize killers.<br />
The dead are indelible,<br />
parenthetical, implicit.<br />
The dead have all the<br />
time in the world for<br />
you now.</p>
<p>My dead of course are<br />
not alive, I don&#8217;t mean<br />
to confuse you, they are<br />
dead as doornails (a phrase<br />
that has always confused<br />
me for reasons I haven&#8217;t<br />
time to explain). The dead<br />
are dead as dead can be but<br />
the past isn&#8217;t dead as you<br />
well know by now. Your<br />
dead are more real to you<br />
than any of your possessions.<br />
That&#8217;s not of course to<br />
say that you own your dead<br />
in fact they are a kind of<br />
communal property that<br />
you possess no more than<br />
the next dreamer. True<br />
figments demand that you<br />
share them.</p>
<p>The dead are not cold,<br />
most of the dead, in my<br />
experience are in fact quite<br />
warm. They smell of split<br />
pea soup, peppermint candy,<br />
rhubarb pie, whiskey,<br />
marijuana, and after<br />
shave. The dead are<br />
mostly pleasant all in<br />
all. Sometimes my dead<br />
embrace me, and I hug<br />
them back.</p>
<p>My dead are wagging a<br />
finger at me now, for<br />
I sleep too long and<br />
they understand the<br />
importance of the day<br />
in ways that I cannot.<br />
My dead remind me that<br />
one day like the dinosaurs<br />
I will decompose and<br />
become fuel that others<br />
will use for their transportation<br />
needs and to heat<br />
their cold living<br />
flesh. You only get one<br />
trip, one chance<br />
to burn.</p>
]]></content:encoded>
			<wfw:commentRss>http://retts.net/index.php/2007/02/thing-8-my-dead/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>

